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Meddle by Pink Floyd (Cassette)
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Meddle by Pink Floyd (Cassette, Oct-1990, Capitol/EMI Records) 
Meddle by Pink Floyd (Cassette, Oct-1990, Capitol/EMI Records)

 
Meddle by Pink Floyd (Cassette, Oct-1990, Capitol/EMI Records)

Artist: Pink Floyd
Release Date: Oct 1990
Format: Cassette
Record Label: Capitol/EMI Records
Genre: Rock & Pop
UPC: 077774603447
Product ID: EPID3548563
Description: Pink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards); Roger Waters (vocals, bass instrument); Nick Mason (drums, percussion). Recording information: Air Studios, London, England; EMI Studios, London, England; Ab...
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Track Listing
1. One of These Days
2. Pillow of Winds, A
3. Fearless
4. San Tropez
5. Seamus
6. Echoes

Details
Playing Time:46 min.
Producer:Pink Floyd
Distributor:EMI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
Pink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards); Roger Waters (vocals, bass instrument); Nick Mason (drums, percussion).
Recording information: Air Studios, London, England; EMI Studios, London, England; Abbey Road Studios, London, England; Morgan Studios, North London, United Kingdom.
MEDDLE was the first album to hint at the musical identity that would define Pink Floyd in the mid- to late-'70s. Whereas prior releases like UMMAGUMMA and ATOM HEART MOTHER announced the presence of new singer/guitarist/songwriter David Gilmour, MEDDLE represents the band's Gilmour-influenced evolution toward a sleek, epic, spacey sound. In "Echoes," an ambitious 23-minute soundscape, the pinging of a synthesizer greets the listener before Gilmour's warm, open guitar and gentle crooning gives way to a repetitious, workmanlike rhythm. From here, the music fades into an abyss of whale calls and eerie sonic reverberations.
Elsewhere, Floyd dabbles with straightforward cocktail-hour jazz ("San Tropez") and a twisted slow blues ("Seamus"). But it is "One of These Days," MEDDLE's opening track and lone radio staple, that truly previews things to come. Roger Waters's bass, played through a Binson echo unit, establishes the song's manically hypnotic groove, as Richard Wright's synthesizer bursts in and out, Nick Mason's off-kilter drum fills get tossed around, and Gilmour's guitar dive-bombs through it all. These varied sound effects, packaged in a song that clocked in at less than six minutes, were a precedent for the masterpiece that was two years away: DARK SIDE OF THE MOON.

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