
Standard Sophia
4 of 5 people found this review helpful.
This film does some great things, but it is also a very difficult story in which to immerse yourself. I don't think I truly cared about the characters until at least halfway through the film, when the walls started coming down, and their various humanities were revealed. I realize this was intentional - a parallel with the rigid social system of court at Versailles - but it made the film difficult.
Then again, other truly intelligent things this film did made it difficult to view. When the movie began, I wondered if I had not accidentally popped in a copy of St. Elmo's Fire or The Breakfast Club. The music in this film is exactly what you wouldn't expect out of a period piece - it is more what you would expect from a Molly Ringwald movie. But, again, I understand why this was done: it was meant to jar the viewer, to make him/her/it uncomfortable. Just as Marie was forced to leave behind everything familiar in her world when she travelled from Austria to France, the viewer is forced to abandon the tropes and traditions of this genre. The music, the camerawork, the acting, the direction is all very post-modern and at times over the top.
I found it a challenge to rate this film, and I admit to switching from every number between two and five before settling (uncomfortably) where I did. Very appropriate for a movie that takes you so far out of your comfort zone.
To clarify my seeming ambivalence, I love the film; I think it is a brilliant addition to film theory, something that will stay with us for a long time. However, when reviewing a film for eBay, I also have to take into account the entertainment factor. How entertaining was this movie? Was it something you could turn off your mind for, and view while you relax from a day of having to concentrate for the sake of your livelihood?
No, this film takes effort - effort you might not havein you at the end of a long day at the proverbial coal mines. Just like Lost in Translation, another brilliant film by Sophia Coppola that requires your every attention. It's not a story for any but the most precocious children/teens, and even most adults will have switched to the action movie they also rented before the film is halfway through.
Luckily for parents who would like to expose their children to a more thoughtful film, the gossip about Kirsten Dunst doing some exposing of her own is a whole lot of unsubstantiated hype (you see her rear end, and then there are some shots of her semi-sheer cotton night dresses from the waist up - nothing you wouldn't see twenty times per issue of Cosmopolitan or Maxim). There are some adult themes, as well, but the discussions circumlocute or euphemize; much talk there is indeed about keys and locks, and other suggestive, but easily seen as innocent, topics.
In the end, the decision is up to you. If you love films that take a little effort and pay off in the end, then this is a great choice for you. If you just want to be entertained, try Little Miss Sunshine, or The Guardian, because Marie Antoinette is not the film for you!
Review ID: 10000000002830092

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