Movie Description
Sofia Coppola follows up her Oscar-winning LOST IN TRANSLATION with her most ambitious effort yet. Based on the book MARIE ANTOINETTE: THE JOURNEY by Antonia Fraser, Coppola's film infuses modern pop-culture elements into a regal, historical biopic, resulting in a strikingly original work. Kirsten Dunst plays Marie Antoinette, a 14-year-old Austrian who is about to wed France's next king, Louis XVI (a fattened-up Jason Schwartzman). Her new life is a constant barrage of pomp and circumstance, which baffles the otherwise ordinary teenager. While love has nothing to do with the union between Marie Antoinette and Louis XVI, producing an offspring does. Unfortunately, Louis XVI shows no interest in having a physical relationship with his willing wife. Instead, Marie Antoinette begins to embrace her life of royalty, biding her time by shopping and partying and living the life of a spoiled teenager. As time passes, Louis XVI works out his problems and soon the couple has begun to bear children. But eventually, the impoverished French people become fed up with the disparity of wealth between the royal family and the average Frenchman, unleashing a revolt that would change the course of history forever.
Coppola's decision to use a modern pop-music soundtrack (Bow Wow Wow, the Strokes) is bold, to be sure, yet it is the type of personal choice that rings firmly true. Another brave decision was to let her well-assembled cast (including Judy Davis, Danny Huston, Rip Torn, Asia Argento, and Marianne Faithful) speak in their natural accents. Decisions like these are what make MARIE ANTOINETTE such a personal, distinct work, proving that Coppola only continues to grow as an artist.
This film was selected for inclusion in the 44th New York Film Festival organized by the Film Society of Lincoln Center.
| Credits | | Producer: | Francis Ford Coppola, Ross Katz | | Cast: | Jamie Dornan, Marianne Faithfull, Rip Torn, Shirley Henderson |
Editorial Reviews
3.5 stars out of 4 -- "[A] thoroughly delightful and, yes provocative picture....Disguised as a confection, and most effective as a cinematic intoxicant."
Premiere - Glenn Kenny (10/01/2006)
3 stars out of 5 -- "Undeniably a feast for the eyes and ears..."
Box Office - Richard Mowe (07/01/2006)
"[A] visual triumph....Coppola plunges us into an exotic world; she completely envelops us in Marie's daily rituals."
Movieline's Hollywood Life - Stacey Farber (09/01/2006)
4 stars out of 5 -- "[T]his is a punk film, one to shun stuffy straightjackets much as its heroine did during her life....The soundtrack's perfect..."
Total Film - Jonathan Dean (11/01/2006)
"Dreamy and decadent, the film is also touching, funny and bracingly modern."
New York Times - A. O. Scott (10/20/2006)
"[T]he work of a mature filmmaker who has identified and developed a new cinematic vocabulary to describe a new breed of post-post-postfeminist woman." -- Grade: B+
Entertainment Weekly - Lisa Schwarzbaum (10/27/2006)
3.5 stars out of 4 -- "With lyrical intelligence and scrappy wit, Coppola creates a luscious world to get lost in. It's a pleasure."
Rolling Stone - Peter Travers (11/02/2006)
Included in Premiere's "10 Best Movies Of The Year" -- "[C]lever, cheeky, and, yes, relevant."
Premiere - Glenn Kenny (01/01/2006)
3 stars out of 5 -- "[A] heady, contemporary vision of events that vividly captures the lavish decadence and the superficiality of a snide aristocracy, all set to an eclectic pop and classical soundtrack."
Ultimate DVD - Natalie Braine (03/01/2007)
Awards
2006Academy AwardsBest Costume Design
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