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All rights reserved.| Track Listing 1. Don't Want To Know 2. N.Y.C. 3. Your Painted Smile 4. Mamouna 5. Only Face, The 6. 39 Steps, The 7. Which Way To Turn 8. Wildcat Days 9. Gemini Moon 10. Chain Reaction
Album Notes Personnel: Bryan Ferry (vocals, strings, piano, keyboards, synthesizer); David Williams (guitar, background vocals); Phil Manzanera, Neil Hubbard, Chester Kamen, Jeff Thall, Nile Rogers, Robin Trower (guitar); Maceo Parker, Mike Paice, Andy MacKay (alto saxophone); Guy Fletcher (synthesizer); Nathan East, Pino Palladino, Guy Pratt (bass); Steve Ferrone (drums); Luke Cresswell, Luis Jardim, Steve Scales (percussion); Richard T. Norris (programming, loops); Rhett Davies (programming); Carleen Anderson, Jhelisa, Fonzi Thornton, Yannick Etienne, Paul Johnson (background vocals); Brian Eno, Nan Kidwell, Neil Jason. Recorded at Utopia, Olympic and Master Rock Studios, London, England. Digitally remastered by Bob Ludwig (Gateway Studio, Portland, Maine). From his earliest days fronting Roxy Music, Bryan Ferry perfected a coy kind of R&B-based music with a techno-progressive overlay of synthesizers and post-industrial guitar thrash, even as his sly, dry martini vocals and fey lounge lizard poses defined a new style of urban chic. But with MAMOUNA, Ferry has fashioned an ambiguous, seductive, unsettling soundscape in which the old lounge lizard is now seen as a rootless romantic searching for anything to hang on to, or the nearest exit--but as the menacing "Wildcat Days" suggests, there's "no way out." Ferry's songs personify longing, denial and spiritual ambivalence, but what makes MAMOUNA so special is its atmospheric mix of guitars and keyboards, its taut, spatial selection of laid back dance grooves. Adding to the power of his funk are a who's who of top rock and R&B musicians, including guitarist Nile Rodgers, James Brown/P-Funk alumni Maceo Parker and ex-Roxy Music collaborators Phil Manzanera, Andy Mackay and Brian Eno. The return of Eno has a profound effect on Ferry's music, as his moody sound processing lends an Oriental ambience to each arrangement, to particular effect on the title tune, with its mystic pan-Arabic airs, and the suave, mysterious "N.Y.C." Editorial Reviews Rolling Stone (12/01/1994) Musician (03/01/1995) Q (10/01/1994) Entertainment Weekly (09/23/1994) Q (02/01/2000) | See an error? Submit a change request | ||||||||||
