IntroductionOverall description: Key features.
There is some difference between the 7 and 7ii. The later version adds:
- An extra 'strap lug' or strap attachment point, but it's on the wrong side! The camera would carry and work better with it on the hinge side.
- Change in R/F; more contrasty framelines.
- Now you can do multiple exposures on a frame by sliding a switch (disables film wind; winder just re-cocks shutter when set.)
- Now available in black or 'champagne' colors. There appear to be two black versions, with the less shiny one being the newer version.
- Relocate cable release socket to bottom front/right, which seems like an ideal placement.
Detailed DescriptionProduct details and specifications: This info is available all over the place. Notes:
- Camera shoots 120/220 film.
- Change lengths by rotating the pressure plate inside, no hassle or tools required.
- Also shoots 35mm film with a proprietary 24x65mm panoramic adapter (get out the Kodachrome! and combine two great legends)
- Metering through separate window, so if you change lenses, you will measure a different portion of the total frame.
- Exposure modes: manual 4" to 1/500", Bulb, A and AEL, 25 to 1600 ISO setting; +/- 2-EV compensation.
- Exposure modes: A: auto exposure; measures and sets shutter steplessly based on where it pointed when shutter fires.
- Exposure modes: AEL: you can measure light with half shutter press, hold it, and aim camera while retaining first AE value for exposure.
Additional InformationHow this camera works: - Wind film onto take-up spool until start arrow reaches mark in center of camera, behind lens.
- Don't drop: the plastic body is tough, but will break; banging around can change the R/F calibration, which should be checked periodically anyway.
- Wind film slowly and steadily, same with dark-slide operation.
- This camera is still in production (2009.02) so parts are available.
- The new style dark-curtain winder handle is a frequently broken part.
- There is a RRS (Arca type) adapter specifically for this camera, but it does add weight and is not the "L" style for vertical use too.
SummaryPros and cons + overall impressions: - The 80mm lens is probably the finest piece of glass I've used in sharpness, resolving power, contrast and color fidelity.
- I haven't seen any CA's or corner softness either.
- I like the grip, and the ergonomics are generally good, especially for what it does, but ... I find it hard to shoot verticals hand-held.
- Bayonet lens hood is very nice, but a bit fragile and is visible in the VF window.
- Lots of differences from most cameras that really seem weird, until you get used to them.
- Meter seems quite accurate.
- It's expensive.
- VF is polarized which can lead to problems in a few situations, but not...
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