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The Long Fall Back To Earth by Jars Of Clay (CD, Apr-2009, Essential Records USA) 
The Long Fall Back To Earth by Jars Of Clay (CD, Apr-2009, Essential Records USA)

 
The Long Fall Back To Earth by Jars Of Clay (CD, Apr-2009, Essential Records USA)

Artist: Jars Of Clay
Release Date: Apr 2009
Format: CD
Record Label: Essential Records (USA)
Genre: Electronic, Electronica
UPC: 083061090326
Product ID: EPID71996941
Description: Personnel: Gabe Ruschival (keyboard bass, bass instrument, percussion); Jeremy Lutito (drums, percussion, loops). Audio Mixer: Jay Ruston. Jars of Clay's previous studio effort, 2006's GOOD MONSTERS, saw the band focusing on its heavier ...
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Track Listing
1. Long Fall, The
2. Weapons
3. Two Hands
4. Heaven
5. Closer
6. Safe To Land
7. Headphones
8. Don't Stop
9. Boys (Lesson One)
10. Hero
11. Scenic Route
12. There Might Be A Light
13. Forgive Me
14. Heart

Details
Producer:Jars Of Clay, Ron Aniello
Distributor:Sony Music Entertainment
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Gabe Ruschival (keyboard bass, bass instrument, percussion); Jeremy Lutito (drums, percussion, loops).
Audio Mixer: Jay Ruston.
Jars of Clay's previous studio effort, 2006's GOOD MONSTERS, saw the band focusing on its heavier side, with raging electric guitars and pounding drums to the fore. THE FALL BACK TO EARTH retains some of its predecessor's energy and drive but delves into more experimental sonic territory. Though the album features some of the Illinois-based group's sharpest and most direct pop songs, it matches standard rock instrumentation with various electronic textures, giving the overall product a mysterious, intimate feel. Throughout, there are echoes of classic 1980s bands, particularly U2. "Boys (Lesson One)" features cut-and-pasted drum `n' bass-style rhythms and a gentle vocal reminiscent of Death Cab for Cutie's Ben Gibbard, while "Heaven" is all wailing Duran Duran-style dance-club fire. THE FALL BACK TO EARTH reveals Jars of Clay as a band that finds inspiration in both its faith and its musical curiosity.

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