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Livin' Inside Your Love by George Benson (CD, Mar-1989, Warner Bros. Records Record Label) 
Livin' Inside Your Love by George Benson (CD, Mar-1989, Warner Bros. Records Record Label)

 
Livin' Inside Your Love by George Benson (CD, Mar-1989, Warner Bros. Records Record Label)

Release Date: Mar 1989
Format: CD
Record Label: Warner Bros. Records (Record Label)
Genre: Guitar, Jazz Instrument
UPC: 075992738521
Product ID: EPID3043860
Description: Personnel: George Benson (vocals, guitar); Mike Mainieri (vibraphone); Ronnie Foster, Greg Phillinganes, Jorge Dalto (keyboards); Earl Klugh, Phil Upchurch (guitar); Will Lee, Stanley Banks, Robert Popwell, Jr. (bass); Steve Gadd (drums)...
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9 results|Group by condition
Track Listing
1. Livin' Inside Your Love
2. Hey Girl
3. Nassau Day
4. Soulful Strut
5. Prelude to Fall
6. Change Is Gonna Come, A
7. Love Ballad
8. You're Never Too Far From Me
9. Love Is a Hurtin' Thing
10. Welcome Into My World
11. Before You Go
12. Unchained Melody

Details
Contributing Artists:Earl Klugh, Jorge Dalto, Mike Mainieri, Phil Upchurch, Ralph MacDonald, Ronnie Foster
Producer:Tommy LiPuma
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: George Benson (vocals, guitar); Mike Mainieri (vibraphone); Ronnie Foster, Greg Phillinganes, Jorge Dalto (keyboards); Earl Klugh, Phil Upchurch (guitar); Will Lee, Stanley Banks, Robert Popwell, Jr. (bass); Steve Gadd (drums); Ralph MacDonald (percussion).
George Benson plays the guitar so well that jazz fans find evidence that he still cares even amidst the most disposable string- and synth-laden offerings. Case in point: while Benson would just as soon lay down his axe altogether to croon Goffin and King's "Hey Girl" on LIVIN' INSIDE YOUR LOVE, on the next cut, keyboardist Ronnie Foster's "Nassau Day," he turns around and plays with the same great tone, articulation, timing and flow of ideas he's always demonstrated.
And why should the guy live on what the average jazzman makes if they'll pay him to surround himself with strings and keep the tunes simple? Twenty years ago, fans of Benson's tough, muscular synthesis of bop, blues and post-bop ideas screamed "sellout" over his success with "On Broadway" and "This Masquerade." Today we know better, because we have another name for it--smooth jazz.

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