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THE GUESS WHO - LIVE AT THE PARAMO...
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Live At The Paramount [Remaster] by The Guess Who (Aug-2000, Buddha Records) 
Live At The Paramount [Remaster] by The Guess Who (Aug-2000, Buddha Records)

 
Live At The Paramount [Remaster] by The Guess Who (Aug-2000, Buddha Records)

Artist: The Guess Who
Release Date: Aug 2000
Record Label: Buddha Records
Genre: General
UPC: 744659975325
Product ID: EPID3411417
Description: The Guess Who: Kurt Winter, Don McDougall (vocals, guitar); Burton Cummings (vocals, flute, harmonica, piano); Jim Kale (vocals, bass); Garry Peterson (vocals, drums). Producer: Jack Richardson. Reissue producers: Rob Santos, Frank Urole...
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6 results|Group by condition
Track Listing
1. Pain Train
2. Albert Flasher
3. New Mother Nature
4. Runnin' Back To Saskatoon
5. Rain Dance - (bonus track, previously unreleased)
6. These Eyes - (bonus track, previously unreleased)
7. Glace Bay Blues
8. Sour Suite - (bonus track, previously unreleased)
9. Hand Me Down World - (bonus track, previously unreleased)
10. American Woman
11. Truckin' Off Across The Sky
12. Share The Land - (bonus track, previously unreleased)
13. No Time - (bonus track, previously unreleased)

Details
Playing Time:75 min.
Recording Type:Live
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
The Guess Who: Kurt Winter, Don McDougall (vocals, guitar); Burton Cummings (vocals, flute, harmonica, piano); Jim Kale (vocals, bass); Garry Peterson (vocals, drums).
Producer: Jack Richardson.
Reissue producers: Rob Santos, Frank Uroleo.
Recorded live at The Paramount Theater, Seattle, Washington on May 22, 1972.
Includes liner notes by John Einarson.
Digitally remastered by Elliott Federman (SAJE Sound, New York, New York).
This overlooked gem of a live album, recorded in 1972, is vastly superior in the remastered and remixed version. Six additional tracks make the album far more representative of a typical GW show of the period, and astonishingly good sound highlights the surprising firepower of the group during its twin guitar days.
Highpoints include the infernally catchy riff-rocker "Runnin Back to Saskatoon," the closing version of their folk-rock classic "No Time," (featuring exquisite group harmonies and a modal guitar duel), and the free-form improv opening rant appended to "American Woman," in which front man Burton Cummings excoriates said gal in a spew of Jim Morrison-esque gonzo Beat poetry that, as the late Lester Bangs observed, actually out-Jimboed the Lizard King.

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