METRIC - LIVE IT OUT - CD NEW
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METRIC**LIVE IT OUT**CD
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Live It Out by Metric (CD, Sep-2005, Last Gang Records USA) 
Live It Out by Metric (CD, Sep-2005, Last Gang Records USA)

 
Live It Out by Metric (CD, Sep-2005, Last Gang Records USA)

Artist: Metric
Release Date: Sep 2005
Format: CD
Record Label: Last Gang Records (USA)
Genre: Rock & Pop
UPC: 060270090828
Product ID: EPID48082256
Description: Metric: Emily Haines (vocals, keyboards); Jimmy Shaw (guitars); Joshua Winstead (electric bass); Joules Scott Key (drums). In the mid-2000s, Canadian indie-rockers Broken Social Scene proved to be something of a cottage industry, between...
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8 results|Group by condition
Track Listing
1. Empty
2. Glass Ceiling
3. Handshakes
4. Too Little Too Late
5. Poster of a Girl
6. Monster Hospital - (remix)
7. Patriarch on a Vespa
8. Police and the Private, The
9. Ending Start
10. Live It Out

Details
Distributor:Fontana Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Metric: Emily Haines (vocals, keyboards); Jimmy Shaw (guitars); Joshua Winstead (electric bass); Joules Scott Key (drums).
In the mid-2000s, Canadian indie-rockers Broken Social Scene proved to be something of a cottage industry, between their own records and such offshoots as Feist and Metric. The latter group, which features BSS keyboardist/singer Emily Haines, comes fully into its own on its second album, LIVE IT OUT. The mix of contemporary indie rock and early-'80s New Wave is buoyed by some colorful synthesizer lines amid the terse guitars and drums, and Haines's vocal presence is at once subtle and commanding.

Editorial Reviews
...[A]n urgent and flexible dance-rock-pop album that fuses all three elements to conjure up the best of '90s alternative rock, with a splash of Brit intellect.
CMJ

'Poster Of A Girl' sports a slinky French-pop backbeat and matching breathy pouts...
Magnet

4 stars out of 5 -- Writer/singer Emily Haines is still secretly one of the most articulate, compelling performers in modern rock....[With] a voice that's by turns scathing, despairing and, finally, defiantly hopeful.
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