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Lifted or The Story Is in the Soil, Keep Your Ear to the Ground by Bright Eyes (CD, Aug-2002, Saddle Creek Records) 
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground by Bright Eyes (CD, Aug-2002, Saddle Creek Records)

 
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground by Bright Eyes (CD, Aug-2002, Saddle Creek Records)

Artist: Bright Eyes
Release Date: Aug 2002
Format: CD
Record Label: Saddle Creek Records
Genre: Rock & Pop
UPC: 648401004625
Product ID: EPID3483910
Description: Bright Eyes: Conor Oberst (vocals, arranger, guitar, piano, Fender Rhodes piano, organ). Additional personnel includes: Todd Baechle (vocals); Andy LeMaster (electric guitar, keyboards, background vocals); Maria Taylor (piano, organ, bac...
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Page 1 of 1
Track Listing
1. Big Picture, The
2. Method Acting
3. False Advertising
4. You Will. You? Will. You? Will. You? Will.
5. Lover I Don't Have to Love
6. Bowl of Oranges
7. Don't Know When But a Day Is Gonna Come
8. Nothing Gets Crossed Out
9. Make War
10. Waste of Paint
11. From a Balance Beam
12. Laura Laurent
13. Let's Not S*** Ourselves (To Love and to Be Loved)

Details
Producer:Andy Lemaster, Mike Mogis
Distributor:Alternative Dis. Alliance
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Bright Eyes: Conor Oberst (vocals, arranger, guitar, piano, Fender Rhodes piano, organ).
Additional personnel includes: Todd Baechle (vocals); Andy LeMaster (electric guitar, keyboards, background vocals); Maria Taylor (piano, organ, background vocals).
Recorded at Presto Studios, Lincoln, Nebraska between December 2001 & January 2002.
Nebraskan singer/songwriter Conor Oberst began combining troubadourism with emo rock at a ridiculously early age, inspired by the older, more literate Nebraska cult hero Simon Joyner (whose huge influence is somehow always overlooked by journalists). Recording prolifically for local indie label Saddle Creek, Oberst (as Bright Eyes, with or without accompaniment) gradually refined his Neil Young-with-ADD sound over the years. LIFTED OR THE STORY IS IN THE SOIL...is his most ambitious outing to date, featuring keyboards, horns, woodwinds, strings, etc., all laid out in a panoramic manner that stands in marked contrast to Oberst's decidedly lo-fi beginnings. The songwriting seems to have jumped up a notch too, and for what's stil essentially a singer-songwriter record, that doesn't hurt a bit.

Editorial Reviews
Included in Rolling Stone's 50 Best Albums of 2002
Rolling Stone (12/26/2002)

8 out of 10 - ...Confused, touching and idiotically ambitious: hard work that, undoubtedly, repays the effort.
NME (08/10/2002)

3.5 out of 5 - ...steamhammer profundity and arrestingly magical backdrops...
Uncut (10/01/2002)

Ranked #69 in Uncut's 100 Best Albums of the Year
Uncut (01/01/2003)

It's the most accomplished of the four Bright Eyes albums...a record brave enough to place content over style.
Mojo (09/01/2002)

Ranked #28 in Mojo's Best Albums of 2002
Mojo (01/01/2003)

4 stars out of 5 - ...Intense and good....His gift lies in melding explosive lyrical candor to folk-rock melodies that heave with incongruous levity, like Prince collaborating with Robert Smith.
Q (09/01/2002)

Ranked #20 on Spin's list of 2002's Albums of the Year - ...[Conor] Oberst stages an epic folk-rock musical scripted from his tortured diary.
Spin (01/01/2003)

...Best indie-rock record of the year...
Rolling Stone (11/14/2002)

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