Track Listing
DISC 1:
1. Get Back
2. Dig a Pony
3. For You Blue
4. Long and Winding Road
5. Two of Us
6. I've Got a Feeling
7. One After 909
8. Don't Let Me Down
9. I Me Mine
10. Across the Universe
11. Let It Be
DISC 2: FLY ON THE WALL:
1. A Unique Insight Into the Beatles at Work in Rehearsal and in the Studio During January 1969: Sun King / Don't Let Me Down / One After 909 / Because I Know You Love Me So / Don't Pass Me By / Taking A Trip To Carolina / John's Piano Piece / Child Of
| Details | | Contributing Artists: | Billy Preston | | Producer: | George Martin, The Beatles | | Distributor: | EMI Music Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
LET IT BE...NAKED contains a FLY ON THE WALL bonus disc including song rehearsals and conversation snatches.
The Beatles: John Lennon, Paul McCartney, George Harrison, Ringo Starr.
Additional personnel: Billy Preston (keyboards).
Includes liner notes by Kevin Howlett and interview excerpts with The Beatles
from the original LET IT BE book.
In its original form, LET IT BE signaled the end of an era, closing the book on the Beatles, as well as literally and figuratively marking the end of the '60s. The 1970 release evolved from friction-filled sessions the Beatles intended to be an organic, bare-bones return to their roots. Instead, the endless hours of tapes were eventually handed over to Phil Spector, since neither the quickly splintering Beatles nor their longtime producer George Martin wanted to sift through the voluminous results.
LET IT BE... NAKED sets the record straight, revisiting the contentious sessions, stripping away the Spectorian orchestrations, reworking the running order, and losing all extemporaneous in-studio banter. On this version of the album, filler tracks ("Dig It," "Maggie Mae") are dropped, while juicy b-side "Don't Let Me Down" is added. The most obvious revamping is on the songs handled heavily by Spector. Removing the orchestrations from "The Long and Winding Road" and "Across the Universe" gives Paul McCartney's vocals considerably more resonance on the former, doing the same for John Lennon's voice and guitar on the latter. This alternate take on LET IT BE enhances the album's power, reclaiming the raw, unadorned quality that was meant to be its calling card from the beginning.
Editorial Reviews
5 stars out of 5 - [T]he cleaning up, editing and re-sequencing has brought out a warmth and depth of colour we've not heard before...
Mojo (12/01/2003)
...Some of these changes are for the better. The sonic clarity is welcome and the revamped album concludes, as the original should have, with the title track, one of the most moving songs McCartney ever wrote... - Rating: B+
Entertainment Weekly (11/21/2003)
3 stars out of 5 - ...It's nice to have the sparer rendition of 'Across the Universe' that Lennon recorded, and the sonic improvements to the album as a whole are undeniable...
Rolling Stone (12/11/2003)
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