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Last Night the Moon Came Dropping Its Clothes In the Street by Jon Hassell (CD, Feb-2009, ECM Records USA) 
Last Night the Moon Came Dropping Its Clothes In the Street by Jon Hassell (CD, Feb-2009, ECM Records USA)

 
Last Night the Moon Came Dropping Its Clothes In the Street by Jon Hassell (CD, Feb-2009, ECM Records USA)

Artist: Jon Hassell
Release Date: Feb 2009
Format: CD
Record Label: ECM Records (USA)
Genre: Jazz Instrument, Trumpet
UPC: 602517926363
Product ID: EPID71782957
Description: Personnel: Jon Hassell (trumpet); Eivind Aarset, Rick Cox (guitar); Kheir-Eddine M'Kachiche (violin); Helge Norbakken, Jamie Muhoberac, Pete Lockett (drums); Steve Shehan (percussion); J. A. Deane (sampler); Pedram Khavarzamini, Thomas N...
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Track Listing
1. Aurora
2. Time and Place
3. Abu Gil
4. Last Night the Moon Came
5. Clairvoyance
6. Courtrais
7. Scintilla
8. Northline
9. Blue Period
10. Light On Water

Details
Producer:Jon Hassell, Manfred Eicher, Peter Freeman
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Jon Hassell (trumpet); Eivind Aarset, Rick Cox (guitar); Kheir-Eddine M'Kachiche (violin); Helge Norbakken, Jamie Muhoberac, Pete Lockett (drums); Steve Shehan (percussion); J. A. Deane (sampler); Pedram Khavarzamini, Thomas Newman, Peter Freeman, Jan Bang.
Audio Mixer: Peter Freeman.
Recording information: Pernes-Les-Fontaines, France.
Trumpeter/composer Jon Hassell has worked with innovators Brian Eno and La Monte Young, and he's immersed himself in the traditional musics of Africa and Asia; the result is a practically new genre. Call it electro-acoustic world music or fourth world, but Hassell's approach is both unique and influential. On first listen, LAST NIGHT THE MOON. is nothing startlingly different from his other discs, yet it's a beautiful refinement and expansion of his approach. All the usual suspects are present--Hassell's trumpet married to electronics (giving it an almost vocal tone); precise, echoing percussion; a hazy, sultry ambiance; and assorted instruments easing in and out of aural focus. But MOON consists of 10 relatively concise tracks, though many are quite lengthy (i.e., the title track, which clocks in at over 11 minutes). Also, the influence of the electric music of Miles Davis is slightly more pronounced (more in the way of tribute, not imitation)--at times, sections of MOON could be the more sensuous outtakes from Davis's BITCHES BREW.

Editorial Reviews
[P]rofoundly warm, immersive, relaxing listening. It's electric-blanket music, isolation-tank music, lucid-dreaming music that moves as assuredly as if by the power of your own suggestion.
Pitchfork

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