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The Last Days of Disco (DVD, 1998) 
The Last Days of Disco (DVD, 1998)

 
The Last Days of Disco (DVD, 1998)

Director: Whit Stillman
Rating: Rated R
Release Date: Dec 1998
Format: DVD
UPC: 044005826722
Product ID: EPID3290474
Description: The third in Whit Stillman's excellent trio of talkative yet thought-provoking odes to days gone by. This installment is set in the Manhattan of the early 80's (chronologically between "Metropolitan" and "Barcelona") as the hedonistic di...
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Movie Description
The third in Whit Stillman's excellent trio of talkative yet thought-provoking odes to days gone by. This installment is set in the Manhattan of the early 80's (chronologically between "Metropolitan" and "Barcelona") as the hedonistic disco era is on the wane and the money-grubbing self-absorbed era of junk bonds and MTV is on the rise. Two conservative recent Hampshire College graduates slave away as editorial assistants by day and vampy party-goers by night. Witty thoughtful banter moves this film along without the need for an oppressive disco soundtrack or gratuitous drug usage that seem to permeate films of the timeframe.

Credits
Cast:Chris Eigeman, Robert Sean Leonard

Notes
DVD Features:

Region 1
Keep Case
Widescreen - 1.85
Audio:
   Dolby Digital - 5.1 - English
   Dolby Digital - 2.0 - English
Additional Release Material:
   Theatrical trailer
   Cast and Crew Bios and Filmographies
   Interactive Menus
   Standard and Widescreen Formats
   French Subtitles
   English Closed Captioning
   Digitally Mastered
English and French
Filmographies
Closed Captioning

Editorial Reviews
"...[Stillman] again renders his characters' fretfulness in deft, funny and improbably touching ways..."
New York Times - Janet Maslin (05/29/1998)

"...Sharp-eyed and charming....Made with Stillman's trademark dry wit and whimsical sense of humor..."
Los Angeles Times - Kenneth Turan (05/29/1998)

"...[Stillman] nails his characters with perfectly heard dialogue and laconic satire....The underlying tone of the film is sweet, fond and a little sad..."
Chicago Sun-Times - Roger Ebert (05/29/1998)

"...Stillman evokes the hopeful melancholy of world-weary kids searching, á la Chic, for good times..." -- Rating: A-
Entertainment Weekly - Troy Patterson (10/16/1998)

"A masterful evocation of the giddiness and instantaneous nostalgia of waning youth."
Film Comment - Film Comment Staff (07/01/2009)

"It's hard to watch this movie and not feel nostalgic -- not for the end of the disco era, but for those heady late-'90s days when small, almost novelistic movies like this were relatively common..." -- Grade: B+
A.V. Club - Noel Murray (08/26/2009)

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    Top Reviews
      New York on a budget, when dancing was cool
    Review created: 08/20/06
    5 of 6 people found this review helpful.

    Whit Stillman's Metropolitan may be one of the best movies ever made. Some would argue that his sophomore effort, BARCELONA is unwatchable. While that may be a little harsh, it is clearly not in the league with its predecessor. However, Stillman comes back strong with The Last Days of Disco (1998), a film that manages to both be All About Disco Music and Not about Disco Music at the same time. This film includes Stillman regular Christopher Eigeman in yet another strong role, but the big stars are Chloe Sevigny, who was on her way up in 1998, and Kate Beckinsale, who was still considered an English Accent kind of girl.

    These last two join a third roommate (played by Tara Subkoff) in the quintessential 1980s postgraduate New York experience, sharing an awkward apartment and trying to get ahead in the publishing business. Did I mention that at least one of these girls is the roommate from heck?

    Meanwhile, their crowd loosely includes a struggling ad guy, a freshly minted US Attorney, an environmental lawyer (Robert Sean Leonard) who collects Scrooge McDuck comics, and an underling at "The Club" played by Eigeman. Whether or not they "furiously pair off" as one character complains, depends on who is trying and who is getting lucky. This film suffered slightly from being released at the same time as "54", another disco movie, but there is little beyond the titles and their time frames to confuse the two.

    Stillman tucks in a nice cameo for many of the cast and characters from METROPOLITAN, as well as for several others (George Plimpton, Jaid Barrymore). He also manages to offer several unexpected sociological explanations of Walt Disney films. Plot is more important than in his earlier films, but dialogue is still the real star.

    But there is the music, too. By the time this film came out, Disco was beginning to shed a little of its backlash stigma and was edging back towards acceptability. Whether or not you liked the Disco sound, you will love the closing scene as an entire subway train grooves to the O'Jays' LOVE TRAIN.

    This is one to see eventually, if not the Top of the List.


    Review ID: 10000000001645989
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