
Hulk [2003]
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Flawed. This is the key word used by critics to describe HULK after its initial cinematic release. I think, in general, the fans were happy with the film. I'm going to go with 'very good'.
Synopsis:
~ David Banner is a scientist working on human DNA. After the birth of his son, Bruce [Eric Bana], he becomes concerned, the child being quiet and withdrawn. The child only shows emotion when he is angry, his skin tinged with splotches of green during these moments of rage. Banner disbands his research after attempting to find a cure for his son. He causes an explosion at the research center, accidentally killing his wife, and is subsequently condemned to a mental institution. Bruce is put into the care of foster parents.
Twenty years later Bruce Krenzler [Banner] is a successful scientist like his father. David Banner [Nick Nolte] returns, working as a janitor in the research center, watchful of his son as history seems to be repeating itself. Betty Ross [Jennifer Connelly] is the ex-girlfriend of Bruce and daughter of Thaddeus "Thunderbolt" Ross [Sam Elliott], the military commander who originally shut down David Banner's research. Ross is concerned that his daughter is working with Bruce, chiefly because Bruce is conducting similar experiments to those of his father. An accident in the lab results in Bruce being hit with large amounts of gamma radiation, which mixes with his already altered DNA. Enter the Hulk ~
Ang Lee's effort, I think, comes close to the original Marvel comic book created by [Stan Lee] and [Jack Kirby], especially with the use of picture-in-picture multiple scene framing. The juxtaposition - and movement of - these frames on screen is effective in that the viewer could be simultaneously watching a film and reading a comic book. A radiant score by [Danny Elfman] compliments the picture, the composer seemingly discarding his dreamy - almost whimsical - melodies like those found in films like 'Edward Scissorhands' and 'Batman'. The idea of science and experimentation is conveyed with this 'new' almost off-beat electronic Elfman music while the tense scenes are punctuated by brass instruments; the stark sequences - the arid desert and the military base - enhanced with Middle Eastern vocal interludes.
Lee has kept the storyline - the origin of the Hulk - along with the imagery - close to the pulp comic book whilst injecting his own style, drawing influences from Greek mythology and texts like 'Frankenstein' 'King Kong' and 'Beauty and the Beast'. The storyline running alongside this is the unstable relationship Bruce and Betty have with their fathers. This is not just a rampaging monster movie, but a film with depth and heart.
What keeps 'Hulk' from being a five-star film is the effects used to create the Hulk. He is a computer-generated monster who could be just as comfortable on a Playstation or X-Box machine. Granted the effects are impressive when compared to the 1970s 'Bill Bixby' Hulk, but perhaps a little too impressive.
Of particular importance - and what many critics have missed - is that Lee has captured the essence of who [or what] the Hulk is with the proficiency of a well-established director. The Hulk is neither hero or villain; rather, he is a tortured soul wandering the land in search of solitude ... and Betty Ross, of course.
Lou Ferrigno [Hulk in the TV series] and Stan 'the man' Lee both have cameos in the movie as security guards.
Matthew J Lee-Williams, Review.
Review ID: 10000000004632391

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