Portions of this page Copyright 1948 - 2008 Muze Inc.
All rights reserved.
All rights reserved.| Track Listing 1. Line 'Em Up 2. Enough to Be on Your Way 3. Little More Time With You 4. Gaia 5. Ananas 6. Jump up Behind Me 7. Another Day 8. Up er Mei 9. Up From Your Life 10. Yellow and Rose 11. Boatman 12. Walking My Baby Back Home 13. (Untitled) - (hidden track)
Album Notes HOURGLASS is an Enhanced CD containing both a full audio program as well as multimedia computer files. Personnel: James Taylor (vocals, acoustic guitar, harmonica, penny whistle); Valerie Carter, David Lasley, Kate Markowitz, Arnold McCuller, Shawn Colvin, Jill Dell'Abate, Sting (vocals); Bob Mann (guitar); Dan Dugmore (pedal steel guitar); Ross Traut (high strung guitar); Mark O'Connor (fiddle); Yo-Yo Ma (cello); Stevie Wonder (harmonica); Branford Marsalis (soprano & alto saxophones); Michael Brecker (tenor saxophone); Clifford Carter (keyboards); Jimmy Johnson (bass); Edgar Meyer (acoustic bass); Carlos Vega (drums, percussion). Recorded at Chalker's Creek, Martha's Vineyard, Massachusetts; Westlake Audio, Los Angeles, California; Right Track Studios, New York, New York. HOURGLASS won the 1998 Grammy Awards for Best Pop Album and for Best Engineered Album, Non-Classical. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. James Taylor is the godfather of the sensitive singer-songwriter movement of the '70s that clogged the charts with introspective folk-rock ballads and kept scores of troubadour manques up to their well-studied navels in champagne and caviar. He was the Nirvana to that generation's Bush and Stone Temple Pilots, an innovator besieged by imitators. But his '70s-godhead status hasn't hurt him any; he just keeps confessing and crooning on. HOURGLASS more or less follows the path of the last several Taylor releases: precisely articulated, carefully constructed songs that favor soft, muted colors over anything too brash or aggressive; and sinuous, literary songs delivered in Taylor's smooth, relaxed croon. True to form, Taylor pushes all the right boomer buttons on HOURGLASS. The opening cut begins with Richard Nixon's impeachment, and then turns into the kind of inward-looking self-exploration that is Taylor's specialty. Editorial Reviews Entertainment Weekly (05/23/1997) Rolling Stone (05/29/1997) | Find errors in the product description? Submit a catalog update request now. | ||||||||||||||
Reviews Review created: 01/23/08 by: Clearly, James Taylor can afford the best sound studios. This CD is a great sound recording. The detail is crystal clear and the best I've heard in red book recordings. If you like James Taylor, you will not be dissaponted with this CD. Review ID: 10000000005182963 Was this review helpful? Report this review Review created: 07/06/07 by: 1 of 1 people found this review helpful. Well James Taylor could talk or sing to me any day or night, such a nice voice. The words on the is song are nice too. Review ID: 10000000003940986 Was this review helpful? Report this review 0 of 1 people found this review helpful. very good, it came in a timely manner. It also arrived in good condition. I would purchase from this buyer again. Review ID: 10000000002008395 Was this review helpful? Report this review |
| Replace this search |
Email me daily when new items match my search for | |