Track Listing DISC 1: 1. High Wide & Handsome 2. Took My Gal Out Walkin' 3. I'm the Man Who Rode the Mule Around the World 4. My Mother and My Sweetheart 5. Bill Mason's Bride 6. Goodbye Booze 7. Old Ballyhoo 8. Little Waterloo 9. I'm Glad I'm Married 10. Mother's Last Farewell Kiss 11. Acres of Diamonds 12. Way Up In Nyc 13. If I Lose 14. Great Reaping Day, The 15. Where the Whippoorwill is Whispering Goodnight
DISC 2: 1. Man In the Moon, The 2. Deal, The 3. No Knees 4. Moving Day 5. Old and Only In the Way 6. Ragtime Annie 7. Sweet Sunny South 8. Letter That Never Came, The 9. Awful Hungry Hash House 10. Rowena 11. Didn't He Ramble 12. Ramblin' Blues 13. Charlie's Last Song 14. Beautiful 15. High Wide & Handsome (Reprise)
| Details | | Playing Time: | 98 min. | | Producer: | Dick Connette | | Distributor: | n/a | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Tributee: Charlie Poole. Audio Mixers: Alex Venguer; Scott Lehrer. Liner Note Authors: Dick Connette; Loudon Wainwright III; Greil Marcus; Kinney Rorrer. Recording information: Ultratone Studio, Studio City, CA; 2nd Story Sound, New York, NY (05/2008-06/2009). Photographers: Paula Court; Milton Kramer; Chuck Levey. Charlie Poole (1892-1931) was a hard-living, plain-singing, banjo-picking raconteur, amateur baseball player, mill worker, boozer, and bootlegger whose name may not be as well known as, say, Jimmie Rodgers or the Carter Family, but who nonetheless helped define what country music later became. Loudon Wainwright built this album around both old songs associated with Poole and new ones that help move the Poole story forward for today's world. Poole was not primarily a songwriter; he took what he heard elsewhere and bent it to his will. But he had an inimitable populist style, a whole lot of attitude and charisma, and the kind of sly humor that a sly humorist like Wainwright certainly can embrace. Of the 30 tracks spread across these two discs, all but nine were found among Poole's own, relatively small catalog. Without attempting to replicate the acoustic string band sound of the '20s and early '30s, Wainwright gets to the heart of songs such as "I'm the Man Who Rode the Mule Around the World," "Moving Day" (with the Roches on background vocals), "The Letter That Never Came," and "Mother's Last Farewell Kiss," tunes that Poole waxed and which, in the hands of Wainwright, manage to open a window into the Depression-era life while remaining viable to contemporary ears. Loudon's new songs are intended not so much to conform to Poole's style (although they do that, too) as to embellish upon it.
Editorial Reviews 3.5 stars out of 5 -- Wainwright's sprawling family add clever harmonies to songs about marriage, booze and rabble-rousing. Rolling Stone
5 stars out of 5 -- Wainwright and his producer Dick Connette keep things flowing with arrangements that run from solo voice to string backing and, naturally, the banjo features prominently. Record Collector
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