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Hey Man, Smell My Finger by George (Funk) Clinton (Cassette, Oct-1993, Paisley Park) 
Hey Man, Smell My Finger by George (Funk) Clinton (Cassette, Oct-1993, Paisley Park)

 
Hey Man, Smell My Finger by George (Funk) Clinton (Cassette, Oct-1993, Paisley Park)

Release Date: Oct 1993
Format: Cassette
Record Label: Paisley Park
Genre: Funk, R&B
UPC: 075992551847
Product ID: EPID3530723
Description: Personnel includes: George Clinton, Daryl Boudreaux, Dallas Austin, Steven Boyd, Deborah Barsha, Sheila Brody, Jessica Cleaves, The Steeles, Grady Thomas, Ray Davis, N'Dea Davenport, Dr. Dre, MC Breed, Humpty Hump, Kam, Gary Shider, Rob...
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Track Listing
1. Martial Law
2. Paint the White House Black
3. Way Up
4. Dis Beat Disrupts
5. Get Satisfied
6. Hollywood
7. Rhythm and Rhyme
8. Big Pump, The
9. If True Love
10. High in My Hello
11. Maximumisness
12. Kickback
13. Flag Was Still There, The

Details
Playing Time:70 min.
Contributing Artists:Anthony Kiedis, Flea, Fred Wesley, Herbie Hancock, Ice Cube, Levi Seacer, Jr., Maceo Parker, Yo Yo, Yo-Yo
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel includes: George Clinton, Daryl Boudreaux, Dallas Austin, Steven Boyd, Deborah Barsha, Sheila Brody, Jessica Cleaves, The Steeles, Grady Thomas, Ray Davis, N'Dea Davenport, Dr. Dre, MC Breed, Humpty Hump, Kam, Gary Shider, Robert Johnson, Louie Kabbabie, Deana Klug (vocals); William "Bootsy" Collins (vocals, electric bass); Phelps "Catfish" Collins, Gary "Mudbone" Cooper, DeWayne "Blackbird" McKnight (guitar); Eric Leeds (saxophones); Bernie Worrell (keyboards, synthesizer); Dennis Chambers (drums).
Producers include: DeWayne "Blackbird" McKnight, Prince, Dallas Austin, Bill Laswell, Kerry Gordy.
Engineers include: Bill Laswell, Eric Anest, Dallas Austin.
The righteous grooves created by George Clinton and his bands Parliament and Funkadelic in the 1970s were prime picking grounds for sample-searching hip-hop artists and crate diggers in the 1990s. Clinton was well aware of the phenomenon, and in 1993 played up to his new kinship with the hip-hop world on the hard-edged solo release HEY MAN... SMELL MY FINGER.
The presence of rap icons like Dr. Dre and Public Enemy on the cut "Paint the White House Black" signals Clinton's enthusiasm for funk-rap fusion, and "The Big Pump," which references pulsing, club-oriented electronica, shows the man is hip to other contemporary sounds as well. But HEY MAN shines most when Clinton sticks to his specialty, as he does on the hard, old-school funk of opener "Martial Law." While not an essential addition to the P-funk catalog, it still offers no shortage of tasty jams.

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