Track Listing
1. Mannish Boy
2. Bus Driver
3. I Want to Be Loved
4. Jealous Hearted Man
5. I Can't Be Satisfied
6. Blues Had a Baby and They Named It Rock and Roll, Pt. 2, The
7. Deep Down in Florida
8. Crosseyed Cat
9. Little Girl
10. Walking Through the Park - (previously unreleased, bonus track)
| Details | | Contributing Artists: | James Cotton, Johnny Winter, Pinetop Perkins | | Producer: | Al Quaglieri (Reissue), Johnny Winter | | Distributor: | Sony Music Distribution ( | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | AAD |
Album Notes
Also available in a 3-pack with I'M READY and KING BEE.
Personnel: Muddy Waters (vocals, guitar); Johnny Winter (guitar, background vocals); Bob Margolin (guitar); James Cotton (harmonica); Pine Top Perkins (piano); Charles Calmese (bass); Willie "Big Eyes" Smith (drums).
Personnel: Muddy Waters (vocals, guitar); Muddy Waters; Johnny Winter (guitar); James Cotton (harmonica); Charles Calmese (bass instrument); Bob Margolin (guitar); Pinetop Perkins (piano); Willie "Big Eyes" Smith (drums).
Audio Mixer: Chris Theis.
Liner Note Author: Bob Margolin.
Recording information: 10/1976.
Photographers: David Gahr; Richard Avedon; Walt Casey Jr.; Jim Marshall .
Muddy spent much of the late '60s and early '70s engaging in crossover attempts, achieving varying degrees of critical and commercial success. But no matter what far-flung paths his studio efforts took, his live performances remained unadulterated. It took the savvy of blues-rocker Johnny Winter to put Muddy's from-the-heart style back where it belonged: in the studio.
Produced by Winter, the appropriately titled HARD AGAIN finds Muddy and his regular band pounding into the old material with all the fury of their '50s heyday. For his part as guitarist, Winter successfully straddles the line between reverence and enthusiasm, laying back enough to let the master strut his stuff, but nevertheless goading Muddy on with highly audible verbal exhortations. This is as close as a studio album gets to a "live" feel. Hearing Muddy burn through a chestnut like "Mannish Boy" with the vim and vigor of a man decades younger, one begins to understand the nature of his artistic consistency and preternatural staying power. HARD AGAIN is Muddy's most compelling post-'60s studio effort.
The importance of Muddy Waters' 1977 album Hard Again cannot be overstated, and its place as a near universal favorite in the Muddy Waters catalog is no mistake. Recorded in the last decade of his life, Hard Again was the first studio collaboration between Waters and guitarist Johnny Winter, who acted as producer on his last four recordings -- the others are I'm Ready, King Bee, and Muddy "Mississippi" Waters Live -- for Blue Sky, a Columbia subsidiary. The true revelation here is Waters, whose vigor and fire are renewed; he's hungry for the music and completely in possession of his prowess and power as the true King of the Blues. At 62, Waters was revving up for one final go and Winter recorded him like the champ he was. The Muddy Waters Blues Band was one of the crack outfits on the scene at the time and included guitarist Bob Margolin, pianist Pinetop Perkins, and drummer Willie "Big Eyes" Smith were on this session. Winter was on board playing guitar in addition to producing, and Waters asked James Cotton to play harp on the session and he brought his bassist Charles Calmese for the date. The twin-guitar attack featured here is one of the most complementary and symbiotic ever recorded. According to Margolin's amazingly warm and informative anecdotal liner notes (he deserves a Grammy for them), Waters never picked up his guitar during these sessions. It hardly matters, from the opening roar of "Mannish Boy," with shouts and hollers throughout, with incendiary guitars to the old-style Delta blues of "I Can't Be Satisfied," with a killer National steel solo by Winter to Cotton's screeching intro to "The Blues Had a Baby," to the moaning closer "Little Girl," Hard Again is rock solid. Its live feel (recorded in three days from pre-production to final session) heralds back to the Chess days, its scary fine cooperative musicianship and intimate, good time vibe have rarely been replicated since that time -- and never on a major label. The expanded reissue includes one bonus track, an outtake called "Walking Through the Park," that could have been part of the original album without a problem -- the other outtake ended up on King Bee. Margolin's notes state that while the album has been remastered, it was ...
Editorial Reviews
4 stars out of 5 - Singing, he's playful and proud, brawny and insistent, his free-flow of inspiration spreading to his superlative road band...
Down Beat
4 stars out of 5 - For students of the post-war blues, a guaranteed delight.
Q
4 stars out of 5 - [T]here's a lot of virtuosity here...
Rolling Stone
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