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Greatest Hits - Morgan, Lorrie (CD 1995)

Track Listing
1. Five Minutes
2. Dear Me
3. Except For Monday
4. Picture of Me, A (Without You)
5. Watch Me
6. Something in Red
7. Back in Your Arms Again - (previously unreleased)
8. I Didn't Know My Own Strength - (previously unreleased)
9. Standing Tall - (previously unreleased)
10. What Part of No
11. 'Til a Tear Becomes a Rose - (with Keith Whitley)

Details
Contributing Artists:Keith Whitley, Stuart Duncan
Distributor:BMG (distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Lorrie Morgan, Keith Whitley (vocals); Larry Byrom (acoustic guitar); Dann Huff (electric guitar); Paul Franklin (steel guitar); Stuart Duncan (fiddle); Glen Duncan, John Hobbs (piano); Lee Sklar, Glenn Worf (bass); Paul Leim (drums); Jana King, Curtis Young, Curtis Wright (background vocals).
Producers: Barry Beckett, Richard Landis, James Stroud, Blake Mevis.
Compilation producer: James Stroud.
Recorded between 1988 and 1995.
A Tammy Wynette for the 1990s, Lorrie Morgan spends half her time wishing for her man back and the other half telling him she ain't taking him back no matter what he does. To wit, this first-rate collection of country singles opens with her suitcase packed, her taxi on the way, and Morgan telling her man, "You've got five minutes/To figure it out." One song later, she's kicking herself in the heart for ever letting him go. Jump ahead two years to song three, and she just about is Tammy Wynette--all painted up and singing a sprightly two-step about how after he left, "I learned a couple of new dances/Cast a couple of glances/I'm on a big roll now." One more song and, poof, she can't even imagine herself without him.
This is the classic struggle of all styles of girl-pop, and what makes the difference are a voice you can believe and songs that snap. Morgan has both. Her voice is seductive and girlish, and, like Wynette's, sounds oddly right singing both painful ballads and spunky country-rockers. "Something In Red" is a true tear-jerker, a dramatically orchestrated ballad about a woman trying to seduce her loveless husband, and Morgan gives it the aura of a classic torch song. "Except For Monday," on the other hand, is a rocking celebration of freedom--your good girl has gone bad and she's never coming back--and Morgan is no less convincing there.
The three new songs on GREATEST HITS trace a sort of mini-history of girl-pop, showing off the great flexibility of current country music. "Back In Your Arms Again" is an innocent want-you-back pop number that could have come out of the Brill Building in the early '60s. "I Didn't Know My Own Strength" has the breezy confidence of modern country-rock, and "Standing Tall" is clouded in the dark shadows of a vintage Patsy Cline ballad.

Editorial Reviews
...shuttle[s] from heavily orchestrated Nashville balladry to memorable tough-girl retorts... - Rating: B+
Entertainment Weekly (07/14/1995)

...shuttle[s] from heavily orchestrated Nashville balladry to memorable tough-girl retorts...
Entertainment Weekly (07/14/1995)

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      "Greatest Hits" Are Great, Indeed
    Review created: 06/03/00
    by: ByronSummers -- a member of Epinions

    Pros:
    Some of her best songs, three great new singles, one duet with <b>Keith Whitley</b>

    Cons:
    Only seven songs besides the duet and new ones were selected

    Lorrie Morgan's sixth album on BNA is a milestone which every artist strives for--a greatest hits compilation. Here three3 new singles, and even a duet with her late husband, Keith Whitley.

    Of the new singles, the first one on the album is track #7, "Back In Your Arms Again". Slightly reminiscent of oldies music, here is a song about a woman who has taken her man for granted for the last time. She wakes up one morning to find he has left her, and she immediately regrets that she had not been treating him the way he deserved. With the potential to be melancholy, the song instead has quite a bouncy feel which keeps things from getting downtrodden. The second single released from "Greatest Hits", it became great by rising to #4 on the charts.

    "I Didn't Know My Own Strength" quickly became another signature song for Morgan, much like "Something In Red" did in 1991. This song is very upbeat and more positive than the previous single. The woman here is in the throes of a breakup of a relationship, but she is not about to let that keep her down. She bravely puts on a smiling face after realizing that she has the strength to get on with her life, and can continue living without letting this instance weigh her down.

    "I Didn't Know My Own Strength" is one of Morgan's greatest hits without a doubt, as it was the first single released from the album---and it zoomed up the charts to #1. Part of the reason for the song's success most likely stems from the fact that Morgan herself has endured many tragedies and hard knocks in her life and career, and has always relied on her inner strength to persevere through those times, which she did . . . and still does.

    The third and final single on "Greatest Hits", "Standing Tall", is a wonderful cover of the original recording by Billie Jo Spears in 1980. Here is a woman who is determined to leave the man she has been with for too long, and nothing will stop her tenacity for doing so. The piece peaked at #15 for Spears, and it went to #32 for Morgan. Not as successful as the other singles here on radio, but a most worthy rendition nonetheless.

    As for Morgan's duet with late husband Keith Whitley, she recorded her vocals to the already recorded vocals of Whitely on "Til' A Tear Becomes A Rose". This became a big success in country music--the song went to #13 on the charts, and the Country Music Association granted it the honor of being the CMA's 1990 Vocal Event of the Year. Morgan accepted the award for this unique duet that holds a special place in her heart.

    As for the other seven songs in this compilation there are the sassy, straightforward favorites such as "Five Minutes", "Except For Monday", "Watch Me", and "What Part Of No". Morgan's balladry is represented with such delicate classics as "Dear Me", "A Picture Of Me (Without You)", and "Something In Red".

    The songs are not presented in chronological order, which seems strange for a greatest hits album (though plenty out there are like this). Hearing the growth of the artist from their earliest recordings to their most recent would be preferred, but this seems almost trivial when the material itself is purely excellent.

    There are also, surprisingly, only seven of Morgan's hits here from 1989-1994. Several other candidates were in the running to be included on the album but for some reason the number of tracks was not expanded. Still, what did make the cut are unforgettable and worthy of the title "Greatest Hits"--particularly two of Morgan's most popular songs, "Something In Red" and "What Part Of No", which have strong appeal to even non-fans.

    An album like this is a terrific goal for an artist to have reached, and with one as successful and diverse as Lorrie Morgan, it can only mean more wonderful and unexpected treats ahead in the future.


    Review ID: 10000000000242861
    Epinions.com ratings are not included in the item's average rating. Links in this review may have been removed.
     

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