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Greatest Hits by Shania Twain (CD, Nov-2004, Mercury Nashville) 
Greatest Hits by Shania Twain (CD, Nov-2004, Mercury Nashville)

 
Greatest Hits by Shania Twain (CD, Nov-2004, Mercury Nashville)

Artist: Shania Twain
Release Date: Nov 2004
Format: CD
Record Label: Mercury Nashville
Genre: Contemporary Country, Country
UPC: 602498631416
Product ID: EPID43422189
Description: Personnel: Shania Twain (background vocals); Shania Twain (vocals); Mark McGrath, Billy Currington (vocals); Brent Mason (guitar, electric guitar); John Willis (acoustic guitar, banjo, bouzouki, mandolin); Michael Thompson (electric guit...
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Track Listing
1. Forever and for Always
2. I'm Gonna Getcha Good!
3. Up!
4. Come on Over
5. Man! I Feel Like a Woman!
6. That Don't Impress Me Much
7. From This Moment On
8. Honey, I'm Home
9. You're Still the One
10. Don't Be Stupid (You Know I Love You)
11. Love Gets Me Every Time
12. No One Needs to Know
13. You Win My Love
14. (If You're Not in It for Love) I'm Outta Here!
15. Woman in Me, The (Needs the Man in You)
16. Any Man of Mine
17. Whose Bed Have Your Boots Been Under?
18. Party for Two - (previously unreleased, featuring Mark McGrath)
19. Don't! - (previously unreleased)
20. Party for Two - (previously unreleased)
21. I Ain't No Quitter - (previously unreleased)

Details
Contributing Artists:Billy Currington, Mark McGrath
Producer:Robert John "Mutt" Lange, Robert John Lange
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Shania Twain (background vocals); Shania Twain (vocals); Mark McGrath, Billy Currington (vocals); Brent Mason (guitar, electric guitar); John Willis (acoustic guitar, banjo, bouzouki, mandolin); Michael Thompson (electric guitar, slide guitar, E-bow, bouzouki); Billy Crain (slide guitar); B.J. Cole (dobro); Terry McMillan (harp, harmonica, cowbells); Jonathan Yudkin (mandolin, violin, fiddle, cello); Glen Duncan, Larry Franklin, Rob Hajacos, Aubrey Haynie, Stuart Duncan, Joe Spivey (fiddle); David Hamilton , Irish Film Orchestra, Carl Marsh (strings); Joey Miskulin (accordion); Arthur Stead (piano, organ, Wurlitzer organ); John Barlow Jarvis (piano, Wurlitzer organ); Matt Rollings, Michael Omartian (piano); John Hobbs (organ, Wurlitzer organ); Arthur Stead (organ); Joe Chemay (electric bass, bass guitar, fretless bass); Diamond Duggal, Simon Duggal (percussion); Olle Romo (programming); Dan Huff (guitar, electric guitar, electric 12-string guitar, wah-wah guitar, electric sitar, talk box, 6-string bass, sound effects); Biff Watson (acoustic guitar, electric guitar, nylon-string guitar); Larry Byrom (acoustic guitar, slide guitar); Nashville String Machine (strings); Paul Leim (drums, percussion); Robert John "Mutt" Lange (background vocals).
Audio Mixers: Michel Gallone; Lynn Peterzell; Mike Shipley; Steve McMillan.
Recording information: A.R.P. Track Productions, St. Anne Des Lacs, Quebec, Ca; Battery Studios, Nashville, TN; Compass Point Studios, Nassau, The Bahamas; Emerald Sound Studios, Nashville, TN; GBT Studio, Nashville, TN; Glenn Gould Studio, Toronto, Ontario, Canada; Javelina Recording Studios, Nashville, TN; Masterfonics Tracking Room, Nashville, TN; Officine Meccaniche Next Recording Studios, Milan, Ital; Recording Arts, Nashville, Yn; Seven Studios, Mamaroneck, NY; Seventeen Grand Recording, Nashville, TN; Sound Stage Studio, Nashville, TN; Windmill Lane Recording Studio, Dublin, Ireland.
Arranger: Robert John "Mutt" Lange.
With the help of her husband, "Mutt" Lange, a legendary producer who helmed mammoth hits by AC/DC and Def Leppard, Canadian songstress Shania Twain developed a highly commercial style of country-tinged pop music that helped her become one of the biggest stars in America. Though GREATEST HITS doesn't include the two major singles from her 1993 self-titled debut, Twain has released so many hits that the 21-track disc is still overflowing with familiar chart-busters. Listening to these ubiquitous songs all in one stretch will leave listeners awed at the breadth of Twain and Lange's incredible talent for catchy pop ditties that sound cutting-edge while still retaining that ever-important hint of Nashville twang. In fact, though laced with the usual fiddles and steel guitars, many songs end up recalling ABBA and the Cars as much as anything south of the Mason-Dixon Line. Of course, the main attraction is always Twain's smoothly sensual voice, which has won over millions of fans worldwide.

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