Track Listing
1. Blue
2. How Do I Live
3. Can't Fight the Moonlight - (Graham Stack radio edit)
4. One Way Ticket (Because I Can)
5. Commitment
6. I Need You
7. Written in the Stars - (with Elton John)
8. Unchained Melody
9. Light in Your Eyes, The
10. On the Side of Angels
11. You Light up My Life
12. Nothin' New Under the Moon
13. Big Deal
14. Life Goes On
15. We Can
16. Last Thing on My Mind - (with Ron Keating)
17. This Love
18. Crazy
| Details | | Distributor: | WEA (Distributor) | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
Initial pressings of GREATEST HITS included a bonus DVD featuring the video "Blue." The CD also included the bonus tracks "O Holy Night" and "Silent Night."
Personnel includes: LeAnn Rimes (vocals); B. James Lowry, Dean Parks, Michael Herring (acoustic guitar); Jerry McPherson, Tom Bukovac, Dann Huff, Leland Sklar (electric guitar); Steve Robson (guitar, keyboards); Dominic Miller (guitar); Dan Dugmore (steel guitar); Gavin Wright, Chris Tombling (violin); Gustav Clarkson, Bruce White (viola); Jonathan Williams, Ben Chappell (cello); Cassandra O'Neal (piano); Patrick Warren (pump organ, synthesizer); Rohan Thomas, Steven Nathan, Tim Akers (keyboards); Glen Worf (bass); Shawn Lee (drums, percussion); Shannon Forrest (drums); Perry Coleman, Lisa Cochran (background vocals).
Producers include: Wilbur C. Rimes, Trevor Horn, Desmond Child, Dann Huff, Peter Amato.
Recorded between 1996 & 2003.
The American public (or at least the country-music-listening portion thereof) pretty much watched LeAnn Rimes grow up. She was only 13 when she recorded her smash album BLUE, which introduced the world to a remarkably precocious talent whose voice was on a par with that of Patsy Cline. Ever since then, she's gradually moved away from her traditional country beginnings--first toward a more contemporary country sound, and eventually to a straight-ahead pop approach not far removed from Mandy Moore or Jessica Simpson. This GREATEST HITS collection easily negotiates the drastic stylistic changes of Rimes's career, including a few tracks from each of the aforementioned phases. So whether she's crooning "Blue" like a born cowgirl, belting out "You Light Up My Life" like an MOR queen, or getting down with a Diane Warren pop tune on the 2003 track "We Can," Rimes can be seen as a work still very much in progress.
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