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Greatest Hits Collection, Vol. 1 [ECD] by Trace Adkins (CD, Jul-2003, Capitol/EMI Records) 
Greatest Hits Collection, Vol. 1 [ECD] by Trace Adkins (CD, Jul-2003, Capitol/EMI Records)

 
Greatest Hits Collection, Vol. 1 [ECD] by Trace Adkins (CD, Jul-2003, Capitol/EMI Records)

Artist: Trace Adkins
Release Date: Jul 2003
Format: CD
Record Label: Capitol/EMI Records
Genre: Contemporary Country, Country
UPC: 724358151206
Product ID: EPID3512125
Description: This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Producers: Scott Hendricks, Trey Bruce, Dann Huff, Paul Worley, Bobby Terry. Recorded between 1996 & 2002. This is an Enhanced CD, which cont...
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Track Listing
1. Then They Do - (previously unreleased)
2. No Thinkin' Thing, (This Ain't)
3. Rest of Mine, The
4. Chrome
5. I'm Tryin'
6. There's a Girl in Texas
7. Every Light in the House
8. Don't Lie
9. I Left Something Turned on at Home
10. Big Time
11. Lonely Won't Leave Me Alone
12. Help Me Understand
13. More
14. Welcome to Hell - (previously unreleased)

Details
Distributor:EMI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Producers: Scott Hendricks, Trey Bruce, Dann Huff, Paul Worley, Bobby Terry.
Recorded between 1996 & 2002.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
The optimistically titled GREATEST HITS COLLECTION VOL. 1 encapsulates the first seven years in the career of Trace Adkins, who made a huge splash on the country scene with his 1996 debut. That auspicious album is represented by the hits "(This Ain't No) Thinkin' Thing," "There's a Girl in Texas," and "I Left Something Turned on at Home," all of which presented Adkins as the acceptable face of new country, polished enough for '90s Nashville, but with roots enough to give him credibility (he'd even done some time in a gospel group).
Successive albums followed an essentially similar path, mixing ballads and honky-tonkers in equal measure. The title track of 2001's CHROME strays a bit from the pattern, sounding like a mix of Shania Twain and Steve Miller, but one of the two new, previously unreleased tracks is the brightest indication of Adkins's future. "Welcome to Hell" is a post-9/11 song that's miles ahead of Alan Jackson and Toby Keith's efforts toward that end, replacing breast-beating jingoism and intellectual laziness with a much more subtle, even humorous approach well-served by Adkins's rich baritone.

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