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The Good, The Bad & The Ugly [Remaster] [ECD] by Original Soundtrack (CD, May-2004, Capitol/EMI Records) 
The Good, The Bad & The Ugly [Remaster] [ECD] by Original Soundtrack (CD, May-2004, Capitol/EMI Records)

 
The Good, The Bad & The Ugly [Remaster] [ECD] by Original Soundtrack (CD, May-2004, Capitol/EMI Records)

Release Date: May 2004
Format: CD
Record Label: Capitol/EMI Records
Genre: Soundtracks
UPC: 724359862125
Product ID: EPID3106792
Description: This is an Enhanced CD, which contains both regular audio and multimedia computer files. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Composer: Ennio Morricone. The whistling trill that ...
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Track Listing
1. Il Buono, Il Cattivo, Il Brutto
2. Il Tramonto
3. Sentenza
4. Fuga a Cavallo
5. Il Ponte di Corde
6. Il Forte
7. Inseguimento
8. Il Deserto
9. La Carrozza Dei Fantasmi (The Carriage of the Spirits)
10. La Missione San Antonio
11. Padre Ramirez
12. Marcetta
13. La Storia de un Soldato
14. Il Treno Militare
15. Fine di una Spia
16. Il Bandito Monco
17. Due Contro Cinque
18. Marcetta Senza Speranza
19. Morte di un Soldato
20. L'Estasi Dell'oro
21. Il Triello

Details
Playing Time:34 min.
Distributor:EMI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
This is an Enhanced CD, which contains both regular audio and multimedia computer files.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Composer: Ennio Morricone.
The whistling trill that opens the main theme to THE GOOD, THE BAD & THE UGLY is so familiar as to be a cultural touchstone. Even an abbreviated sound byte of the theme is enough to conjure images of desolate desert plains, rolling tumbleweeds, and a cowboy-booted figure standing ominously in the distance. These images come from Sergio Leone's "spaghetti" Westerns (so called because they were shot in Italy), while the sounds--created to aid Leone's existential narratives--are the work of the legendary Ennio Morricone.
Along with Bernard Herrmann and Nino Rota, Morricone is one of the most successful, accomplished, and well-known film composers of the 20th century. Like much of his work, the soundtrack to THE GOOD, THE BAD & THE UGLY utilizes unconventional instrumentation. Peculiar vocal calls, clanging auxiliary percussion, and electric guitars (which often employ a Dick Dale-like surf twang) trade off with a full complement of strings. The music is startlingly eclectic, moving from folk melodies to avant-garde dissonance to plaintive ballads to delicate ambience. Although the range of his career output is formidable, Morricone is perhaps best known for the soundtrack to this allegory of Civil War lawlessness, and it remains one of his finest achievements.

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