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Goldfinger [Remaster] (CD, Feb-2003, Capitol/EMI Records) 
Goldfinger [Remaster] (CD, Feb-2003, Capitol/EMI Records)

 
Goldfinger [Remaster] (CD, Feb-2003, Capitol/EMI Records)

Release Date: Feb 2003
Format: CD
Record Label: Capitol/EMI Records
Genre: Soundtracks
UPC: 724358089127
Product ID: EPID71969571
Description: Original score composed by and conducted John Barry. Recorded at CTS Studios, London, England in July 1964. Includes liner notes by Jeff Bond. All tracks have been digitally remastered. Shirley Bassey's "Goldfinger" wasn't the biggest hi...
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13 results|Group by condition
Track Listing
1. Goldfinger - Shirley Bassey
2. Into Miami
3. Alpine Drive / Auric's Factory
4. Oddjob's Pressing Engagement
5. Bond Back in Action Again
6. Teasing the Korean
7. Gassing the Gangsters
8. Goldfinger - (instrumental version)
9. Dawn Raid on Fort Knox
10. Arrival of the Bomb and Count Down, The
11. The Death Of Goldfinger / End Titles
12. Golden Girl
13. Death of Tilley
14. Laser Beam, The
15. Pussy Galore's Flying Circus

Details
Playing Time:31 min.
Producer:John Barry
Distributor:EMI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Original score composed by and conducted John Barry.
Recorded at CTS Studios, London, England in July 1964. Includes liner notes by Jeff Bond.
All tracks have been digitally remastered.
Shirley Bassey's "Goldfinger" wasn't the biggest hit from the James Bond movies, but it remains the archetype. With Bassey's bold, blaring delivery of Leslie Bricusse and Anthony Newley's over-the-top lyrics, her voice as brassy as the unforgettable horn fills that punctuate the verses, "Goldfinger Into Miami (Main Title)" (as the song is more prosaically identified here) is a true swinging-'60s pop treasure. Though the rest of the album isn't John Barry's all-time best James Bond score--that would be 1965's thrilling THUNDERBALL--it's certainly top-drawer work. Tracks like "Oddjob's Pressing Engagement" and the subtle "Gassing the Gangsters" rework the main theme in imaginative ways, and the climactic "Dawn Raid On Fort Knox" is effectively tense even without the visuals. The brief "Teasing the Korean" is a similarly impressive exercise in atmospherics, proving anew that John Barry was one of the most gifted soundtrack composers of the '60s.

Editorial Reviews
Ranked #24 in EW's 100 Best Movie Soundtracks - ...The ultimate Bond score, full of sex, suspense and jazzy, brassy pop-orchestra excitement...
Entertainment Weekly (10/12/2001)

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