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Goes To Hell by Alice Cooper (CD, Apr-1988, Warner Bros. Records Record Label) 
Goes To Hell by Alice Cooper (CD, Apr-1988, Warner Bros. Records Record Label)

 
Goes To Hell by Alice Cooper (CD, Apr-1988, Warner Bros. Records Record Label)

Artist: Alice Cooper
Release Date: Apr 1988
Format: CD
Record Label: Warner Bros. Records (Record Label)
Genre: Hard Rock, Rock & Pop
UPC: 075992729925
Product ID: EPID3083143
Description: Personnel: Alice Cooper (vocals); John Tropea, Steve Hunter (guitar); Al Macmillan (piano); Bob Ezrin (keyboards, background vocals); Tony Levin, Babbit (bass); Jim Gordon, Allan Schwartzberg (drums); Jim Maelen (percussion); Michael She...
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11 results|Group by condition
Track Listing
1. Go to Hell
2. You Gotta Dance
3. I'm the Coolest
4. Didn't We Meet
5. I Never Cry
6. Give the Kid a Break
7. Guilty
8. Wake Me Gently
9. Wish You Were Here
10. I'm Always Chasing Rainbows
11. Going Home

Details
Producer:Bob Ezrin
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Alice Cooper (vocals); John Tropea, Steve Hunter (guitar); Al Macmillan (piano); Bob Ezrin (keyboards, background vocals); Tony Levin, Babbit (bass); Jim Gordon, Allan Schwartzberg (drums); Jim Maelen (percussion); Michael Sherman, Shawn Jackson, Colina Phillips, Joe Gannon, Shep Gordon, Denny Vosburgh, Bill Misener, Laurel Ward, Sharon-Lee Williams (background vocals).
Engineers include: John Jansen, Ringo Hrycyna, Corky Stasiak.
Recorded at Soundstage, Toronto, Ontario, Canada; Record Plant East, New York, New York; RCA Recording Studios, Los Angeles, California.
Alice Cooper's second album without his original band, was, like its predecessor, a somewhat conceptual affair (Hell being disco-pop, in this case). While some of the tracks have a dance feel to them, Alice's hard rock still shines through, and Alice was still aided by the famed guitar duo of Dick Wagner and Steve Hunter.
While there are a couple of rockers, such as "Guilty" and "Wish You Were Here," most of the compositions eschew the sleaze, shock, and grit of Cooper's earlier work, as evidenced by such low-key tracks as "Didn't We Meet." The best and most renowned composition here is "Go to Hell," a demonic slice of raging hard rock that has become a concert staple over the years. This would be Cooper's last top-40 album until 1989's TRASH.

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