
Get Caught by the Spell
3 of 3 people found this review helpful.
A sweet, sensitive portrayal of the life and death of Jesus Christ, starting from the gathering of the apostles and climaxing during the crucifiction. Its true claim to fame is its setting; a modern bustling metropolis.
Never has the gospel been brought more closely to the common person, as each apostle is a depiction of the "You & Me" that is struggling to get by in the world of today. While all of them are portrayed to some degreee or another as humorous, each still has their own unique personality that we can all readily identify with.
Godspell is a musical, which, of course, means that there is a great deal of music. Each song has a touching, sometimes haunting quality that exposes a real desire among the apostles to cultivate a closer relationship to God. The song "Day By Day", though simplistic in lyrics, is a nonetheless uplifting depiction of how joyous prayer can truely be.
Also on the musical side, the songs each have a uniquely different style; some take on the feel of in-period Pop, while others are more of the Soul genre. Of tongue-in-cheek note is a song played in the 19th century burlesque style. Despite their varied styles and backgrounds, all the music is united in a common purpose; praise of God.
The parables also play a prominant role in the film, and many of the most well known and loved ones taken from the gospel, are acted out in ways that make them seem much more relevant to today's life than most would believe.
No movie, of course, is perfect, and Godspell is no exception. It may have been noted that throughout the review thus far, care has been taken to use non-gender-specific terminology. This is due in large part to the fact that half of the apostles are female. This is by no means a detriment, as it goes further to show the full flower of humanity coming together. However, purists to the gospel may object that the only female that was granted permission to be near Jesus was Mary Magdellan.
Of more relevant objection occurs by simple mathematics; Four female apostles, plus four male apostles equals eight; in fact, there were twelve apostles. The players get around this detriment by taking up multiple roles within the film, and quite expertly. Of particular confusion, but also with a note of admiration, is the portrayal of "John the Baptist" and "Judas Iscariat" by the same actor. One cannot help but feel that perhaps there was simply insufficient talent within the company to fill all roles. However, this, again, is more likely to be an objection for the purists, as the characters seem to be both believable and true to the text of the gospel.
Regarding the setting, which appears to be New York City (unconfirmed by this reviewer), the backdrop is beautiful, breathtaking, and the full playground of all involved. How they were able to manage to have sections of the city completely emptied for their acting is a matter of some interest; but however it was done, the nine actors alone are able to use every facet of every setting as their playground in the exploration of their relationships with God.
Now we come to the portrayal of Jesus. It is no secret that any person who takes up that role has some very large shoes to fill; but Victor Garber did so beautifully. Despite his frail and nondescript appearance, he still manages to come across as a sweet, and endearing father figure.
All in all, a wonderful film, sadly eclipsed by "Jesus Christ Superstar" from the same period.
A must watch.
Review ID: 10000000002637117

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