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Fitzcarraldo by Frames (The) (CD, Oct-1996, ZTT Records UK) 
Fitzcarraldo by Frames (The) (CD, Oct-1996, ZTT Records UK)

 
Fitzcarraldo by Frames (The) (CD, Oct-1996, ZTT Records UK)

Artist: Frames (The)
Release Date: Oct 1996
Format: CD
Record Label: ZTT Records (UK)
Genre: Alternative, Rock & Pop
UPC: 075596197021
Product ID: EPID3234738
Description: The Frames: Glen Hansard (guitar, vocals); David Odlum (guitar); Colm Mac Con Iomaire (violin); Graham Downey (bass); Paul Brennan (drums). Engineers: Steve Fitzmaurice, Tom Elmhurst, Ivan Oshea. Personnel: Glen Hansard (vocals, guitar);...
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Track Listing
1. Revelate
2. Angel at My Table
3. Fitzcarraldo
4. Evergreen
5. In This Boat Together
6. Say It to Me Now
7. Monument
8. Giving It All Away
9. Red Chord
10. Denounced
11. Your Face

Details
Playing Time:51 min.
Producer:Pete Briquette, Trevor Horn
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
The Frames: Glen Hansard (guitar, vocals); David Odlum (guitar); Colm Mac Con Iomaire (violin); Graham Downey (bass); Paul Brennan (drums).
Engineers: Steve Fitzmaurice, Tom Elmhurst, Ivan Oshea.
Personnel: Glen Hansard (vocals, guitar); Noreen O'Donnell (vocals); David Odlum (guitar); Dee Armstrong (viola); Kevin Murphy (cello); Pete Briquette (keyboards, programming); Garry Hughes, Gary Hughes (keyboards); Graham Downey (bass guitar); Paul Brennan (drums).
Audio Mixer: Steve Fitzmaurice.
Recording information: Totally Wired Studios, Dublin, Ireland; Westside, London, England.
Photographers: Jake Chessum; Paul Brennan .
Unknown Contributor Role: Mike Higham.
Because ANOTHER LOVE SONG, The Frames' first album, has traditionally been difficult to find, FITZCARRALDO has been the go-to document for the long-running Dublin band's early sound. Actually, it's not all that different from the punchy, emotional rock sound that would define them for over a decade following. Led by the passionate and fearless Glen Hansard, The Frames always remain listenable while liberally pouring out their every embarrassing emotion; the deft violin, cello, and keys that flesh out the songs help prevent too much confessional melodrama. Hansard is a belter, but his earnest vulnerability on songs like "Giving It All Away" draws an empathetic response anyway. "Revelate," a statement of purpose as deeply felt as the best of U2's early singles, would justifiably come to be a live fan favorite.

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