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Films for Radio by Over the Rhine (CD, Mar-2001, Narada) 
Films for Radio by Over the Rhine (CD, Mar-2001, Narada)

 
Films for Radio by Over the Rhine (CD, Mar-2001, Narada)

Release Date: Mar 2001
Format: CD
Record Label: Narada
Genre: Alternative, Rock & Pop
UPC: 724385066320
Product ID: EPID3447819
Description: Over The Rhine: Karin Bergquist (vocals, piano); Linford Detweiler (acoustic & electric guitars, acoustic, electric, Wurlitzer & toy pianos, Hammond B-3 & Vox organs, keyboards, synthesized flute, bass, rain tree loops). Additional perso...
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Track Listing
1. World Can Wait, The
2. If Nothing Else
3. Give Me Strength
4. Fairpoint Diary
5. I Radio Heaven
6. Little Blue River/In the Garden
7. Goodbye (This Is Not Goodbye)
8. Whatever You Say
9. Body Is a Stairway of Skin, The
10. Moth
11. When I Go

Details
Producer:Dave Perkins, Linford Detweiler
Distributor:EMI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Over The Rhine: Karin Bergquist (vocals, piano); Linford Detweiler (acoustic & electric guitars, acoustic, electric, Wurlitzer & toy pianos, Hammond B-3 & Vox organs, keyboards, synthesized flute, bass, rain tree loops).
Additional personnel includes: Jack Henderson (electric, 12-string & lap steel guitars); Dave Perkins (electric guitar, E-bow); Michael Timmins (electric guitar); Michael Aukafor (hammered dulcimer); Norm Johns, John Catchings (cello); Mickey Raphael (bass harmonica); Pascal Gabriel (keyboards, programing, loops); Byron House (bass); Don Heffington (drums, percussion); Terri Templeton (background vocals).
Recorded at The Grey Ghost, Cincinnati, Ohio & Dave's Bus, Nashville, Tennessee.
Personnel: Karin Bergquist (vocals, piano); Linford Detweiler (guitar, acoustic guitar, piano, electric piano, organ); Dave Perkins (guitar, electric guitar); Jack Henderson (electric guitar, 12-string guitar, lap steel guitar); Michael Timmins (electric guitar); Michael Aukafor (dulcimer, hammer dulcimer); David Davidson (violin); Kristin Wilkinson (viola); John Catchings (cello); Mickey Raphael (harmonica); Pascal Gabriel (keyboards, programming, loops); Don Heffington (drums, percussion).
Liner Note Author: Linford Detweiler.
Recording information: 2001.
Photographer: Michael Wilson .
When Over the Rhine released their sparsely produced, largely acoustic independent effort Good Dog Bad Dog in 1996, they had not yet given up on their plans to record a more elaborate version of the album. In the end, the group decided that the "home recordings" approach was appropriate for that collection of songs, but when they finally issued a major label follow-up five years later, it was almost as if they were making up for lost time. The appropriately titled Films for Radio has a broad, cinematic scope that makes it the band's most ambitious and lavishly produced record to date. Fans who were introduced to the band through Good Dog may have expected Films to be an intimate arthouse drama, but it proves instead to be something of a slick and unusually intelligent summer blockbuster. The album contains Over the Rhine's first experiments with synthesizers and drum loops, melding edgy special effects into a distinctive art pop brew that continues to be cemented by artfully elliptical lyrics and some of the most engaging melodies in adult alternative music. The synth pop opener "The World Can Wait," for example, sounds like a theme song for a James Bond movie. "The Body Is a Stairway of Skin" is something like Bjork-influenced trip-hop. There is even an energetic Duran Duran-like cover of a Dido tune ("Give Me Strength"). All of that style sometimes overwhelms the substance of the group's unusually substantive songwriting. And perhaps because the album consists of a jumble of material written over a five-year respite from recording, Films for Radio lacks the cohesiveness of its predecessor. Some songs, like the rootsy "Little Blue River" and the Beatles-esque "Goodbye," are a little out of place in the glossy surroundings. Others, like the radio-friendly "Moth," have been dressed in high-tech arrangements that seem a bit strained when compared to earlier, more relaxed performances. The album may be less satisfying for diehard fans than for newcomers who are just discovering the band's exquisitely crafted lit pop sound. ~ Evan Cater

Editorial Reviews
4 out of 5 stars - dominant Hammond organ....[vocalist] sings clear and proud...
Q (01/01/2002)

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