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| Track Listing 1. Sunrise 2. What Am I to You?!? 3. Those Sweet Words 4. Carnival Town 5. In the Morning 6. Be Here to Love Me 7. Creepin' In - (featuring Dolly Parton) 8. Toes 9. Humble Me 10. Above Ground 11. Long Way Home, The 12. Prettiest Thing, The 13. Don't Miss You at All
Album Notes This is an Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser. This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser. Personnel: Norah Jones (vocals, piano, Wurlitzer piano); Dolly Parton (vocals); Kevin Breit (guitar, acoustic guitar, banjo); Jesse Harris (acoustic guitar); Tony Scherr (electric guitar); Lee Alexander (lap steel guitar, double bass, bass guitar); David Gold (viola); Jane Scarpantoni (cello); Daru Oda (flute, background vocals); Garth Hudson (accordion, Hammond b-3 organ); Rob Burger (field organ); Levon Helm, Andrew Borger, Brian Blade (drums). Recording information: Sear Sound Studio, New York, New York; Allaire, Shokan, New York; Sorcerer Sound, New York, New York; Avatar Studios, New York, New York. After the unexpected runaway success of COME AWAY WITH ME, where to next? The good news about Norah Jones's sophomore effort is that she and producer Arif Mardin decided to leave well enough alone in most regards. There are no screeching guitars, thumping drum machines, or padding synthesizers, and most of the tempos are slow or laid-back--way back. Guests Garth Hudson and Levon Helm of the Band contribute to "What Am I to You?" and Dolly Parton makes an appearance on bassist Lee Alexander's "Creepin' In." Jones's backing group, the Handsome Band, provides just the right stripped-down accompaniments and subtle touches to support the blessing that is her voice. Jones knows how to luxuriate in the sumptuousness of her sound and infuse such unlikely lyrics as "my toes just touched the water" with a sensual blues sensibility. On top of all this, when it comes to phrasing, her tremendous instincts and smarts put her in rare company. What Jones does explore further is the art of songwriting, and the results here give every indication that she is on the right track. Editorial Reviews Uncut (03/01/2004) Mojo (03/01/2004) Q (03/01/2004) Entertainment Weekly (02/13/2004) Spin (04/01/2004) Rolling Stone (03/04/2004) | See an error? Submit a change request | ||||||||||||||
