Movie Description
FEAR AND LOATHING IN LAS VEGAS is a whirlwind of a movie, a wacky, drug-laden story backed by a fist-pumping rock & roll soundtrack featuring everything from Wayne Newton and Tom Jones to Combustible Edison and Dead Kennedys. Journalist Raoul Duke (Johnny Depp) heads to Las Vegas to cover a motorcycle race, bringing along his Samoan lawyer, Dr. Gonzo (Benicio Del Toro), in this furious adaptation of the book by Hunter S. Thompson. It is 1971, and Duke and Gonzo are on their way to Sin City with a frightened hitchhiker (a nearly unrecognizable Tobey Maguire) and a trunkful of drugs, which they ingest nonstop. Depp is terrific as Duke, Thompson's alter ego, and Del Toro is a riot as the crazy lawyer. To perfect his Thompsonian performance, Depp spent a lot of time with the good doctor, and it paid off in a film that captures the frenetic pace of the counterculture novel. Director Terry Gilliam, a master of complex, bizarre visual imagery, has a field day interpreting the drug-hazed world in which Duke and Gonzo reside. An all-star cast chimes in with wonderfully offbeat bit parts, including Harry Dean Stanton, Gilliam regular Katherine Helmond, Flea, Cameron Diaz, Ellen Barkin, Christina Ricci, Gary Busey, Lyle Lovett, and others.
| Credits | | Producer: | Patrick Cassavetti, Stephen Nemeth | | Cast: | Cameron Diaz, Gary Busey, Lyle Lovett |
Notes
DVD Features:Region 1Keep CaseAnamorphic Widescreen - 2.35Single Side - Dual LayerAudio: Dolby Digital 5.1 - EnglishAdditional Release Material: Audio Commentary - 1. Terry Gilliam - Director 2. Johnny Depp - Star, Benicio del Toro - Star, Laila Nabulsi - Producer Featurette - 1. FEAT AND LOATHING ON THE ROAD TO HOLLYWOOD Production Correspondence (Johnny Depp Reads Hunter S. Thompson's Notes on the Film) Deleted Scenes Isolated Audio Track - 1. Interview (Hunter S. Thompson)Text/Galleries: Storyboards Production Designs Original Artwork Production Stills Additional Text - 1. Biographical Information - 1. Oscar Zeta Acosta (Inspiration for Character of Dr. Gonzo), Theatrical release: May 22, 1998.Filmed on location in Las Vegas, southern Nevada, and Los Angeles and at Warner Hollywood Studios.The film was screened at the Cannes Film Festival on May 15, 1998.Estimated budget: $21 million.Hunter S. Thompson's book was based on a trip he took with Oscar Zeta Acosta.Benicio Del Toro gained nearly 40 pounds to play Dr. Gonzo.Shooting lasted about 50 days.One of the wardrobe production assistants was Amy Rainbow Gilliam, one of Terry's daughters.The film includes music by Robert Goulet, Tom Jones, Combustible Edison, Big Brother & the Holding Company, the Lennon Sisters, Elmer Bernstein, Wayne Newton, the Yardbirds, Jefferson Airplane, Three Dog Night, Bob Dylan, the Youngbloods, Ohio Express, Buffalo Springfield, the Rolling Stones, Booker T. & the MGs, Frank Sinatra, Perry Como, Debbie Reynolds, and Dead Kennedys.The film's illustrations are by Ralph Steadman, who illustrated the original novel; he is thanked in the credits "for inspiring us all." The shirt that Tobey Maguire wears in the film features a Steadman illustration.Terry Gilliam took over from writer-director Alex Cox (REPO MAN), who left because of creative differences. Cox said, "With Gilliam directing, we'll see the bats."Among the people interested in making a film of the book since it first came out were Martin Scorsese and Robert De Niro, Dan Aykroyd and John Belushi, and Ridley Scott.Johnny Depp spent nearly four months together with Hunter S. Thompson prior to shooting. Depp told a Cannes press conference, "He was generous with his time and his private life. He even let me move into his basement. Become a termite."At the Cannes press conference Gilliam said, "Number one, FEAR AND LOATHING is not a prodrug film. Anybody who sees this film isn't going to rush out and start to do drugs."The Plymouth Valiant used in the film actually belonged to Thompson.Thompson makes a cameo appearance in the film.When Gilliam took over production from Cox, he and Tony Grisoni wr
Editorial Reviews
"...A fidelity to the author's hallucinatory imagery that until now seemed impossible to capture in a film. But here it is in all its splendiferous funhouse terror: the closest sensory approximation of an acid trip ever achieved by a mainstream movie..."
New York Times - Stephen Holden (05/22/1998)
"[A] shocking, funny and sad tale of idealism's demise en route."
Total Film - Total Film Staff (07/01/2006)
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