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  • Empty Bottles, Broken Hearts by Murder City Devils (The) (CD, Sep-1998, Sub Pop Records USA)

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Empty Bottles, Broken Hearts by Murder City Devils (The) (CD, Sep-1998, Sub Pop Records USA) 
Empty Bottles, Broken Hearts by Murder City Devils (The) (CD, Sep-1998, Sub Pop Records USA)

 
Empty Bottles, Broken Hearts by Murder City Devils (The) (CD, Sep-1998, Sub Pop Records USA)

Release Date: Sep 1998
Format: CD
Record Label: Sub Pop Records (USA)
Genre: Hardcore/Punk
UPC: 098787042924
Product ID: EPID3281810
Description: Murder City Devils: Spencer Moody (vocals); Dann Gallucci (guitar, organ); Nate Manny (guitar, bass); Derek Fudesco (bass, organ); Coady Willis (drums). The Murder City Devils: Spencer Moody (vocals); Dann Gallucci (guitar, organ); Nate ...
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12 results|Group by condition
Track Listing
1. I Want a Lot Now (So Come On)
2. Dancin' Shoes
3. 18 Wheels
4. Left Hand Right Hand
5. Ready For More
6. Cradle to the Grave
7. Dear Hearts
8. Hey Sailor
9. Johnny Thunders
10. Stars in Her Eyes
11. Another Round on You
12. Every S***** Thing

Details
Producer:Jack Endino
Distributor:Alternative Dis. Alliance
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Murder City Devils: Spencer Moody (vocals); Dann Gallucci (guitar, organ); Nate Manny (guitar, bass); Derek Fudesco (bass, organ); Coady Willis (drums).
The Murder City Devils: Spencer Moody (vocals); Dann Gallucci (guitar, organ); Nate Manny (guitar, bass guitar); Derek Fudesko (organ, bass guitar); Coady Willis (drums).
Recording information: Hanzsek Audio, Seattle, Washington; Avast Studios, Seattle, Washington (1998).
The four-wheel-drive garage punk made by Seattle's Murder City Devils started to reveal an old-fashioned streak on their second album. Still beefy to the point of being hardcore, the songs nonetheless also took on the dusty patina of NUGGETS-era rockers like Question Mark & the Mysterians or shaggy pre-punks like the New York Dolls. For instance, the queasy Munsters-theme organ of "18 Wheels" and "Ready for More" positions them as vaguely creepy undead trucker types without being explicitly horror rock. Elsewhere, straight-ahead rockers like "Left Hand Right Hand" and "Hey Sailor" go for the jugular with a rusty buzzsaw, and the album closer, "Every S***** Thing," staggers around after a night of heavy boozing. Too heavy to fit in with the garage rock revival and too retro for hardcore, the Devils were essentially their own genre at the time of this album's recording.

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