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The Eleventh Hour by Jars Of Clay (CD, Mar-2002, Essential Records USA) 
The Eleventh Hour by Jars Of Clay (CD, Mar-2002, Essential Records USA)

 
The Eleventh Hour by Jars Of Clay (CD, Mar-2002, Essential Records USA)

Artist: Jars Of Clay
Release Date: Mar 2002
Format: CD
Record Label: Essential Records (USA)
Genre: Christian Rock, Rock & Pop
UPC: 083061062927
Product ID: EPID3479392
Description: Jars Of Clay: Dan Haseltine, Stephen Mason, Charlie Lowell, Matt Odmark. Additional personnel: Flemming Painter (vocals); Tab Laven (banjo); John Catchings (cello); Chris Donahue, Aaron Sands (bass); Shawn McWilliams, Joe Porter (drums)....
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Track Listing
1. Disappear
2. Something Beautiful
3. Revolution
4. Fly
5. I Need You
6. Silence
7. Scarlet
8. Whatever She Wants
9. Eleventh Hour, The
10. These Ordinary Days
11. Edge of Water, The

Details
Producer:Jars Of Clay
Distributor:BMG (distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Jars Of Clay: Dan Haseltine, Stephen Mason, Charlie Lowell, Matt Odmark.
Additional personnel: Flemming Painter (vocals); Tab Laven (banjo); John Catchings (cello); Chris Donahue, Aaron Sands (bass); Shawn McWilliams, Joe Porter (drums).
Recorded at Sputnik Sound, Franklin, Tennessee, The Playground, Nashville, Tennesse and FrontPage Studios, Hollywood, California.
THE ELEVENTH HOUR won the 2003 Grammy Award for Best Pop/Contemporary Gospel Album.
Jars of Clay made their name as a Christian rock band, but even from the start that created all sorts of incorrect assumptions about the group. With THE ELEVENTH HOUR, they almost completely cast off that mantle, calling for a general reassessment of the band by those who lumped them in with the "God squad." At this point, they're no more overtly spiritual than Creed. Beyond one song referencing a need to pray, this is very secular fare.
That's not to say that JOC have suddenly transformed into party animals singing about sex, drugs and rock & roll. They're still thoughtful young men who wrap their introspection in plangent electric and acoustic guitars and accessible pop-rock choruses. "Revolution," for example, examines the need for self-confidence over a raucous, somewhat Smash Mouth-like arrangement, while other songs move through folk-rock, Americana, and driving modern rock. Jars of Clay expand their scope on THE ELEVENTH HOUR without sacrificing any of their drive.

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