Movie Description
Michaelangelo Antonioni's L'ECLISSE (ECLIPSE) is a visually stunning film with a strange, abstract plotline. Monica Vitti stars as Vittoria, a beautiful woman who, in the opening scene of the movie, dumps her boring boyfriend Riccardo (Francisco Rabal). Vittoria's mother (Lilla Brignone) passes her time at the stock exchange, watching the numbers rise and fall as if her whole life depends on the next high or low. In contrast, Vittoria wanders the streets of the city unhindered, dreaming, floating independently and waiting for whatever fate befalls her. She begins an affair with a powerful, handsome, emotionally vacant stockbroker, Piero (Alain Delon). Their relationship is fun, flirtatious, risky, and dangerous all at once--but mostly, it is an expression of true human affection, which the other characters in L'ECLISSE seem to lack. However, the plot of L'ECLISSE is hardly Antonioni's focus. As sweeping pans of the calm, dusty streets mix with the intense cacophony of the stock exchange, the director compares and contrasts the structure of city life with the still, silent aspects of a more natural environment, observing society's evolution into a technological monolith. L'ECLISSE is part of a trilogy of Antonioni films, along with LA NOTTE and L'AVVENTURA.
| Credits | | Producer: | Raymond Hakim, Robert Hakim | | Cast: | Francisco Rabal |
Notes
Additional cast: Lilla Brignone (Vittoria's mother); Mirella Ricciardi (Marta).
An Interopa-Paris Film coproduction.
"L'Ecclisse" was shown at the 1962 Cannes Film Festival in France. It completes an Antonioni trilogy, which included "Avventura" and "La Notte."
Editorial Reviews
"[I]t's Vitti's and Delon's performances that make it possible to keep watching as the film paints an increasingly bleak but beautiful picture of modern life."
Entertainment Weekly - Sam Adams (03/18/2005)
"[A] touching artifact, capturing the last gasp of modernism before contemporary malaise would be swept up into the great postmodern maelstrom known as the society of the spectacle."
Film Comment - Gavin Smith (03/01/2005)
"[A]bsolutely breathtaking..."
Premiere - Glenn Kenny (05/01/2005)
"[A]rguably Antonioni's best....It's the film's stillness and precision that lingers in the memory..."
Sight and Sound - Tim Lucas (05/01/2005)
"At the very least as influential as LA DOLCE VITA. Mind-blowing."
Uncut - Chris Roberts (07/01/2005)
Awards
1962CannesJury Prize
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