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e-lux by Human Waste Project (CD, Sep-1997, Hollywood Records) 
e-lux by Human Waste Project (CD, Sep-1997, Hollywood Records)

 
e-lux by Human Waste Project (CD, Sep-1997, Hollywood Records)

Release Date: Sep 1997
Format: CD
Record Label: Hollywood Records
Genre: Alternative, Rock & Pop
UPC: 720616206725
Product ID: EPID3252696
Description: Human Waste Project: Aimee Echo (vocals); Mike Tempesta (guitar); Jeff Schartoff (bass); Scott Ellis (drums). Additional personnel: Chuck Johnson (snare drum). Human Waste Project vocalist Aimee Echo sounds an awful lot like Gwen Stefani...
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E-Lux : Human Waste Project (CD, 1997)
NEW / SEALED. NOT A BOOT OR CD-R. USPS SHIP FROM LOS ANGELES!
Condition: Brand New
 
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E-Lux : Human Waste Project (CD, 1997)
Very good to good used condition. Satisfaction Guaranteed .
Condition: Good
 
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E-Lux : Human Waste Project (CD, 1997)
100% Brand New! Satisfaction Guaranteed .
Condition: Brand New
 
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Page 1 of 1
Track Listing
1. Grave Robbers From Mars
2. Disease
3. Drugstore
4. Exit Wound
5. Shine
6. Hold Me Down
7. Electra
8. Drowned
9. Interlude
10. Powerstrip
11. One Night in Spain...
12. Slide
13. Dog
14. Get With It

Details
Producer:Ross Robinson
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Human Waste Project: Aimee Echo (vocals); Mike Tempesta (guitar); Jeff Schartoff (bass); Scott Ellis (drums).
Additional personnel: Chuck Johnson (snare drum).
Human Waste Project vocalist Aimee Echo sounds an awful lot like Gwen Stefani of No Doubt, but the two groups play completely different musical styles, so that's where the comparison ends. Aimee also sings with lots of fire and vitriol in her voice, which fits the pissed-off music perfectly -- at times sounding a bit like both Korn and the Deftones (both friends of the band). With the help of Korn/Deftones producer Ross Robinson, Human Waste Project's debut, e-lux, packs quite a punch (the album title is a merger of the words Electra, a star from the Pleiades constellation, and Lux, Latin for light). Besides a knack for composing heavy metal assaults ("Disease," "Hold Me Down"), the group also often experiments with the uncommon. On the short opening track "Graverobbers from Mars," Aimee sings through an electric fan into a karaoke microphone, while "Drugstore" features some underwater-like guitar, and the beginning of "Exit Wound" is pure spacy psychedelia. Human Waste Project shows on their debut that they're not afraid to explore new metal avenues. ~ Greg Prato

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