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Don't Say No by Billy Squier (Cassette, Oct-1990, Capitol/EMI Records) 
Don't Say No by Billy Squier (Cassette, Oct-1990, Capitol/EMI Records)

 
Don't Say No by Billy Squier (Cassette, Oct-1990, Capitol/EMI Records)

Artist: Billy Squier
Release Date: Oct 1990
Format: Cassette
Record Label: Capitol/EMI Records
Genre: Hard Rock, Rock & Pop
UPC: 077774647946
Product ID: EPID3552550
Description: Personnel: Billy Squier (vocals, guitars, piano, percussion); Cary Sharaf (guitar); Alan St. Jon (keyboards, synthesizer, background vocals); Mark Clarke (bass); Bobby Chouinard (drums). Recorded at The Power Station, New York, New York....
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Track Listing
1. In the Dark
2. Stroke, The
3. My Kinda Lover
4. You Know What I Like
5. Too Daze Gone
6. Lonely Is the Night
7. Whadda You Want From Me
8. Nobody Knows
9. I Need You
10. Don't Say No

Details
Playing Time:38 min.
Producer:Billy Squier, Mack
Distributor:EMI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
Personnel: Billy Squier (vocals, guitars, piano, percussion); Cary Sharaf (guitar); Alan St. Jon (keyboards, synthesizer, background vocals); Mark Clarke (bass); Bobby Chouinard (drums).
Recorded at The Power Station, New York, New York.
All songs written by Billy Squier.
Before becoming a solo superstar, Billy Squier had done time in Piper, a Cheap Trick-like 1970s band that split the difference between hard rock and power pop. Some of that sensibility still informs his second solo album and mainstream breakthrough, DON'T SAY NO. While the gargantuan guitar riffs and drum beats are clearly indebted to Led Zeppelin, and Squier's vocal style finds a middle ground between Robert Plant and Freddie Mercury, all the excess of Zeppelin and Queen is mercilessly sliced away, leaving lean, concise pop hooks that drive the record's turbo-charged heavy-rock attack.
The energy level almost never lets up, as Squier and his band careen from one breathlessly infectious-yet-diamond-hard track to the next. "Nobody Knows," one of the only down-tempo moments, reveals a Beatles influence that underscores Squier's pop roots. But it's the sledgehammer groove of "The Stroke" and the AOR nirvana of "In the Dark" that made this album a centerpiece of rock radio in the era when what we now regard as "classic rock" was drawing its last breath, just before giving way to New Wave.

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