Synopsis "Was this the face that launched a thousand ships?" Dr. Faustus famously asks of Helen of Troy when he conjures her at the suggestion of his students in this major work, written in 1588. A master scholar, Faust, dissatisfied by the limitations of book learning, seeks higher knowledge through black magic, which leads to a private audience with Mephostophilis, Satan's courier. Faust agrees to sell his soul to the devil in return for 24 years of Mephostophilis's bidding. With the dark compact sealed, the play presents the conflict between Renaissance man's drive for knowledge and God's ultimate mystery. There is a long textual history of the character Faustus in literature, manifesting in particular as source material for Marlowe in a 1587 Frankfurt piece which describes an apparently actual Dr. Faustus, practitioner of the blackest arts.
| Details | | Publication Date: | 2005-01-30 | | Series: | Norton Critical Editions Series | | Editor: | David Scott Kastan |
| Size | | Length: | 430 pages | | Height: | 8.3 in | | Width: | 5.0 in | | Thickness: | 0.5 in | | Weight: | 16.8 oz |
Publisher's Note Renaissance England's great tragedy of intellectual overreaching is as relevant and unsettling today as it was when first performed at the end of the sixteenth century. This edition provides newly edited texts of both the 1604 (A-Text) and 1616 (B-Text) versions of the play, each with detailed explanatory annotations. Sources and Contexts" includes a generous selection from Marlowe's main source, The Damnable Life and Deserved Death of Dr. John Faustus, along with contemporary writings on magic and religion (including texts by Agrippa, Calvin, and Perkins) that establish the play's intellectual background. This volume also reprints early documents relating to the writing and publication of the play and to its first performances, along with contemporary comments on Marlowe's scandalous reputation. Twenty-five carefully chosen interpretations-written from the eighteenth century to the present-allow students to enrich their critical understanding of the play. These diverse critical essays include classic analyses by Charles Lamb, William Hazlitt, and A. C. Swinburne, among others, and recent criticism from, among others, Michael Neill, Katharine Eisaman Maus, Alison Findlay, Stephen Orgel, and David Bevington. A Chronology and Selected Bibliography are also included. About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
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