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The Devil's Rejects [PA] by Original Soundtrack (CD, Jul-2005, La-La Land Records) 
The Devil's Rejects [PA] by Original Soundtrack (CD, Jul-2005, La-La Land Records)

 
The Devil's Rejects [PA] by Original Soundtrack (CD, Jul-2005, La-La Land Records)

Release Date: Jul 2005
Format: CD
Record Label: La-La Land Records
Genre: Soundtracks
UPC: 826924103524
Product ID: EPID47694311
Description: Composer: Tyler Bates. This follow-up to writer/director Rob Zombie's cult horror film HOUSE OF 1000 CORPSES finds three killers from that movie on the run from the police. Rather than filling THE DEVIL'S REJECTS soundtrack with his own ...
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14 results|Group by condition
Track Listing
1. Tiny And His Girl / Police
2. Ten Cars-Twenty Five Pigs
3. Shootout
4. Mama Pulls the Trigger
5. Ride the Horse
6. Driving to the Khaki Palms
7. Unwanted Guests
8. Official Clown Business
9. Dirty Knees
10. See You in Hell
11. Yellow Brick Road
12. Another Failed Escape
13. Adam's Face
14. Rejects Were Here, The
15. Road Kill
16. Medley
17. Holy Guacamole
18. Hand Sandwich
19. Joyride
20. Staples
21. You Feeling It, Brother?
22. Run Baby Girl
23. Tiny Snaps Wydell
24. We'll Come Back For You

Details
Producer:MV Gerhard, Tyler Bates
Distributor:City Hall
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Composer: Tyler Bates.
This follow-up to writer/director Rob Zombie's cult horror film HOUSE OF 1000 CORPSES finds three killers from that movie on the run from the police. Rather than filling THE DEVIL'S REJECTS soundtrack with his own ghoulish metal and other like-minded rock, Zombie throws a musical curveball here by offering up an expertly selected set of blues, country, and classic rock.
The Allman Brothers Band perfectly establishes the tone with the urgent "Midnight Rider," featuring the appropriate refrain "I'm not gonna let 'em catch me." Zombie showcases three spare, folk-like tunes by the underrated singer/songwriter Terry Reid, all of which come from the British performer's 1976 album SEED OF MEMORY. In addition to vintage country (Buck Owens & His Buckaroos' redemptive "Satan's Got to Get Along Without Me") and blues (Otis Rush's searing "I Can't Quit You Baby"), Lynyrd Skynyrd's ever-requested "Free Bird" serves as a highly unusual counterpoint to a pivotal scene in the bloody thriller, ensuring that listeners will never hear the Southern-rock chestnut the same way again.

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