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A Day in the Life by Wes Montgomery (CD, May-1989, A&M Records USA) 
A Day in the Life by Wes Montgomery (CD, May-1989, A&M Records USA)

 
A Day in the Life by Wes Montgomery (CD, May-1989, A&M Records USA)

Artist: Wes Montgomery
Release Date: May 1989
Format: CD
Record Label: A&M Records (USA)
Genre: Guitar, Jazz Instrument
UPC: 075021081628
Product ID: EPID3057520
Description: Personnel includes: Wes Montgomery (guitar); Don Sebesky (arranger, conductor); Herbie Hancock (piano); Ron Carter (bass); Grady Tate (drums); Ray Baretto (percussion). Recorded at Van Gelder Studios, Englewood Cliffs, New Jeresey on Jun...
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Track Listing
1. Day in the Life, A
2. Watch What Happens
3. When a Man Loves a Women
4. California Night
5. Angel
6. Eleanor Rigby
7. Willow Weep For Me
8. Windy
9. Trust in Me
10. Joker, The

Details
Contributing Artists:Herbie Hancock, Ray Barretto
Producer:Creed Taylor
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel includes: Wes Montgomery (guitar); Don Sebesky (arranger, conductor); Herbie Hancock (piano); Ron Carter (bass); Grady Tate (drums); Ray Baretto (percussion).
Recorded at Van Gelder Studios, Englewood Cliffs, New Jeresey on June 6-8 & 26, 1967.
As is usual on Wes Montgomery's later recordings, underneath all the orchestrated strings, horns, and windwinds, there's a killer rhythm section hard at work, and A DAY IN THE LIFE is no exception, with Herbie Hancock, Ron Carter, and Grady Tate holding everything together. It's hard not to measure everything Montgomery did after 1963 against the four years of cooking, small-group albums he made for Riverside starting in 1959; the later, more arranged material is certainly less pure in terms of jazz content.
But the Verve and A&M albums were conscious attempts to market the guitarist to a wider audience, and as successful pop records, they gave Montgomery some degree of financial security after years of struggling to support a family of six on a jazzman's income. What's remarkable in retrospect is the amount of blowing that does occur here. On "Eleanor Rigby," of all places, the band lays down a groove for Wes to riff over before the strings come cascading back in, and good things happen also on the two standards, "Watch What Happens," and "Willow Weep For Me."

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