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RICK SPRINGFIELD - THE DAY AFTER Y...
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The Day After Yesterday by Rick Springfield (CD, Jul-2006, DKE Records) 
The Day After Yesterday by Rick Springfield (CD, Jul-2006, DKE Records)

 
The Day After Yesterday by Rick Springfield (CD, Jul-2006, DKE Records)

Release Date: Jul 2006
Format: CD
Record Label: DKE Records
Genre: Rock & Pop
UPC: 826948120026
Product ID: EPID46807199
Description: THE DAY AFTER YESTERDAY is an album of cover tunes that influenced Rick Springfield throughout his career. Personnel: Rick Springfield (vocals, guitar, keyboards); Leslie Anne Down (vocals); Dionne Gipson (spoken vocals); George Bernhard...
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The Day After Yesterday : Springfield, Rick (CD, 2006)
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Track Listing
1. I'm Not in Love
2. Under the Milky Way
3. Life in a Northern Town
4. Broken Wings
5. Human
6. Holding on to Yesterday
7. Baker Street
8. Waiting For a Girl Like You
9. Let's Go Out Tonight
10. For No One
11. Miss You Nights
12. Blue Rose
13. Cry
14. Imagine

Details
Distributor:IDN Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
THE DAY AFTER YESTERDAY is an album of cover tunes that influenced Rick Springfield throughout his career.
Personnel: Rick Springfield (vocals, guitar, keyboards); Leslie Anne Down (vocals); Dionne Gipson (spoken vocals); George Bernhardt (guitar); Eric Gorfain, Richard Dodd, Daphne Chen, Leah Katz (strings); Dino Soldo (horns); Vince DiCola, Kenny Meriedeth (keyboards); Matt Bissonette (bass guitar, background vocals); Rodger Carter (drums, loops); Ronnie Grinel (drums); Jeff Gross , Terry Santiel (percussion); Jamie Jones, Richard Page, April Lassiter, Delious Kennedy (background vocals).
Rather than go the usual old-chestnuts route for his covers album, Rick Springfield does something extremely rare and exceedingly clever here. Almost all of THE DAY AFTER YESTERDAY (if that sounds familiar, it's because Springfield nicked it from the film SIDEWAYS, where it was the title of the protagonist's unpublished novel) consists largely of songs that post-date Springfield's own hit-making days of the early '80s. The results are both conceptually interesting and pleasurable listening. Although the songs are of more contemporary vintage, Springfield uses the sort of mature, almost jazzy arrangement and vocal style that Rod Stewart employed on his standards albums.
Springfield may not be Tony Bennett, but the easy swing he gives to such surprisingly perfect song choices as the Church's "Under the Milky Way" and the Human League's "Human" is impressive, as is the hoarse, early Tom Waits-like delivery he chose for Gerry Rafferty's "Baker Street." By joining the past and the present, Springfield has made an intriguing pop combo (much the way Petula Clark did on her albums of the late '60s), making THE DAY AFTER YESTERDAY a wonderfully classy surprise.

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