| Details | | Publication Date: | 1998-01-01 | | Series: | Poets on Poetry Series | | Editor: | Paul Merchant, Vincent Wixon |
| Size | | Length: | 157 pages | | Height: | 8.5 in | | Width: | 5.8 in | | Thickness: | 0.8 in | | Weight: | 12.8 oz |
Publisher's Note
A plain-spoken but eminently effective poet, the late William Stafford (1914-1993) has managed to shape part of the mainstream of American poetry by distancing himself from its trends and politics. Though his work has always inspired controversy, he was widely admired by students and poetry lovers as well as his own peers. His fascination with the process of writing joined with his love of the land and his faith in the teaching power of nature to produce a unique poetic voice in the last third of the twentieth century. Crossing Unmarked Snow continues -- in the tradition of Stafford's well-loved collections Writing the Australian Crawl and You Must Revise Your Life -- collecting prose and poetry on the writer's profession. The book includes reviews and reflections on poets from Theodore Roethke to Carolyn Forche, from May Sarton to Philip Levine; conversations on the making of poems; and a selection of Stafford's own poetry. The book also includes a section on the art of teaching, featuring interviews, writing exercises, and essays on the writer's vocation.
Industry Reviews
In a career that began at 46, Stafford (1914-1993) published 67 full-length collections and chapbooks of sharply observed verse, harvesting poems from his diligently carried out "Daily Writings." Rather than completely refining out the rougher work, this second attempt at selecting from Stafford's vast oeuvre quadruples the poem count of its predecessor, following the arc of a journeyman's career with its attendant excesses, successes and failures. Stafford, who after some itinerant years settled into a 30 year stay at Oregon's Lewis & Clark college and a stint as the state's poet laureate, rendered the objects that came his way in ordinary language. Most striking, in hindsight, is the easy range of his intentionally limited set of linguistic pipes: from simmering violence and its attendant atmospherics ("Travelling Through the Dark"; "Not in the Headlines") to religious naturalism ("I crossed the Sierras in my old Dodge/ letting the speedometer measure God's kindness,/ and slept in the wilderness on the hard ground.") to elegy ("At the Grave of My Brother") and social history and commentary ("Is This Feeling about the West Real?"; "Our City is Guarded by Automatic Rockets"). Other poems offer delicate philosophical introspection, as in the familiar "Bi-focal": "So, the world happens twice / once what we see it as;/ second it legends itself/ deep, the way it is." Including 71 previously unpublished new poems, among them the poem Stafford wrote the day he died, this collection fully reacquaints us with a quiet, generous presence on the American poetic landscape. (Apr.) FYI: Down in My Heart, Stafford's WWII conscientious objector's diary, is due from Oregon State in April ($14.95 paper 120p ISBN 0-87071-430-9). The Univ. of Mich. recently publishe the essay collection Crossing Unmarked Snow: Further Views on the Winter's Vocation ($13.95 paper ISBN 0-472-06664-1; $39.50 Cloth -09664-8).
Lopate
Stafford (1914-93) has written over 35 books of poetry and prose, including Writing the Australian Crawl: Views on the Writer's Vocation (LJ 9/15/78). This book contains reflections on other poets and their work, selections of Stafford's work, and thoughts on the art of writing poetry, including a section on teaching. Poetry has become more popular of late and this book would be especially of interest to readers' groups studying the subject. It helps readers get inside the writer's head and understand the process. The poem "An Afternoon in the Stacks" begins "Closing the book, I find I have left my head inside." That is the experience readers will have with this book. Lisa J. Cihlar, Monroe P.L., Monroe, Wis.
Bernstein
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