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Connie Smith by Connie Smith (CD, Oct-1998, Warner Bros. Records Record Label) 
Connie Smith by Connie Smith (CD, Oct-1998, Warner Bros. Records Record Label)

 
Connie Smith by Connie Smith (CD, Oct-1998, Warner Bros. Records Record Label)

Artist: Connie Smith
Release Date: Oct 1998
Format: CD
Record Label: Warner Bros. Records (Record Label)
Genre: Country, Nashville Sound
UPC: 093624703327
Product ID: EPID3289128
Description: Personnel: Connie Smith (vocals); Marty Stuart (guitar, mandolin); Stuart Smith, Mark Casstevens, Biff Watson (guitar); Gary Hogue (steel guitar); Stuart Duncan (fiddle); Gary Smith (keyboards); Michael Rhodes, Larry Marrs, Steve Arnold ...
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  HER FIRST IN 20 YEARS
Review created: 07/29/06(updated 07/29/06)
by:
1 of 1 people found this review helpful.

After marrying Renaissance man, Marty Stuart, Connie devoted most of her time to gospel singing and writing songs--many of which were recorded during her obvious absence from the C$W field. Her marriage gave her and her career a shot in the arm. This disc contains 9 self-penned tunes that hark back to her roots but never sound dated. Stuart lends a hand on vocals, writing, and playing on this fine comeback disc. He co-produced this disc as well. Connie then continued to record and move on. It is a testament to her unique singing ability to couple with a sandpaper-voiced John Prine on "In Spite of Ourselves", harmonizing, singing solo and around him when necessary to make the two duets she recorded work effectively. Stuart is better matched for Smith's talents on the track "Hearts Like Ours". The only offbeat track on this set is her original "Road To Tahrarrie" with it's Celtic feel. It's good song but this is a country recording and seems out of place. However, this only proves that Connie Smith is not just a country singer. She can sing pop, bluegrass, Cajun just to name a few and cannot be categorized or put in one music style despite the fact she found her success in the country field. And by doing so, she became the only rightful successor to Patsy Cline. They both have the chops and soulful versatility many peers and contemporaries lack. Smith has been vastly overlooked while her peers, Tammy, Dolly and Loretta got the star build up. This could be in part due to the fact that her instant stardom and the problems it imposed on her family, she chose family first. But there is no denying Connie Smith (as Dolly Parton) stated was one of 3 "real" singers and the rest are pretending. Connie has the ability to get deep into your head and heart and her impassioned singing hits like a thunderbolt. She has lost none of it here on this disc. She is more mature and gained a deeper husky quality to her voice that is quite sexy. She's textbook 101 for all the ladies who came after her to follow and learn. She sings from her heart without compromise and with conviction and assurance--a rare commodity in any musical domain. It's refreshing to get back to the basics of down to earth singing and that WEA has not forgotten the legends as so many fickle listeners haver a tendency to do over time, are to be commended for releasing this disc. Now--let's hear more from this great lady of song.


Review ID: 10000000001451145
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  All Hail Connie Smith!
Review created: 08/11/08

This is definately the best Connie Smith project I have heard. I have been a big fan of hers for years but never cared for the over production used on her recordings in the 60's. This recording strips the background singing down to two harmony parts sang in most part by Sharon and Cheryl White. There is a fiddle instead of Nashville strings and, as in all of Ms. Smith's early recordings; a bunch of great steel guitar.

She wrote most of the songs with Marty and a couple other great writers so she knows what she's singing about and puts in the emotion that only the person that lived the story can sing it. It is worth trying to find.


Review ID: 10000000008321670
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