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The Composer of Desafinado, Plays [Remaster] by Antonio Carlos Jobim (CD, Jul-1997, Verve USA) 
The Composer of Desafinado, Plays [Remaster] by Antonio Carlos Jobim (CD, Jul-1997, Verve USA)

 
The Composer of Desafinado, Plays [Remaster] by Antonio Carlos Jobim (CD, Jul-1997, Verve USA)

Artist: Antonio Carlos Jobim
Release Date: Jul 1997
Format: CD
Record Label: Verve (USA)
Genre: Bossa Nova, International
UPC: 731452143129
Product ID: EPID3056395
Description: Personnel includes: Antonio Carlos Jobim (piano, guitar); Claus Ogerman (arranger); Jimmy Cleveland (trombone); Leo Wright (flute); George Duvivier (bass). Producer: Creed Taylor. Reissue producer: Michael Lang. Recorded at A&R Studios, ...
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6 results|Group by condition
Track Listing
1. Girl From Ipanema, The
2. Amor em Paz :: Once I Loved
3. Agua de Beber
4. Vivo Sonhando :: Dreamer
5. O Morrow Nao Tem Vez (Favela)
6. Insensatez :: How Insensitive
7. Corcovado
8. Samba de Uma Nota So :: One Note Samba
9. Meditation
10. So Danco Samba :: Jazz Samba
11. Chega de Saudade :: No More Blues
12. Desafinado

Details
Playing Time:35 min.
Contributing Artists:Claus Ogerman, Jimmy Cleveland, Leo Wright
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel includes: Antonio Carlos Jobim (piano, guitar); Claus Ogerman (arranger); Jimmy Cleveland (trombone); Leo Wright (flute); George Duvivier (bass).
Producer: Creed Taylor.
Reissue producer: Michael Lang.
Recorded at A&R Studios, New York, New York, on May 9 and 10, 1962. Includes liner notes by Dom Cerulli, Johnny Mandel and Bob Belden.
Digitally remastered by Chris Herles (Polygram).
This is part of the Verve Master Editions series.
This disc offers instrumental interpretations of some of Jobim's most famous compositions from the salad days of the early '60s Bossa Nova craze. It's also one of the earliest examples of Jobim's long-standing and fruitful collaboration with arranger Claus Ogerman. Trademarks like Jobim's single-note piano style, the accompanying flute melodies and Ogerman's arranging techniques (unison string parts, the bass clarinet underpinnings in "How Insensitive") would decorate Jobim's music for the next two decades. Similarly representative are the authentic Bossa Nova guitar and drums, subtle variations of which occur on each tune. Throughout the recording, Jobim's songs are powerful enough for the melodies to stand up even sans lyrics.

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