Track Listing 1. Regicide 2. Jealous Order of Condied Knights 3. Reconstruction 4. Y.T.T.E. 5. For the Trees 6. Stars and Stripes Forever, The 7. Pelt and Hollec 8. Struggle Against Unreality Begins, The 9. For the Trees (Return)
| Details | | Distributor: | Alternative Dis. Alliance | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Matmos: M.C. Schmidt (acoustic guitar, hurdy gurdy, recorder) Drew Daniel (electric guitar, sampling, sequencing). Additional personnel includes: Jay Lesser (dobro); Mark Lightcap (tuba); Ned Howey (bassoon). This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Ever-searching electronica experimentalists Matmos change their game yet again on THE CIVIL WAR. Renaissance folk, contemporary classical, Irish jigs, and a variety of other stylistic elements are mixed into Matmos's rapid-fire collages, with a blanket of martial drums and sonic warfare echoing the album's title. While its usual noise-guerilla ethos is in full effect, there is an undeniable artistry to the group's dense sound painting, cluttered as they are with microbeats, off-kilter melodies, and sonic detail. THE CIVIL WAR reinforces Matmos's status as one of the most consistently challenging and brilliant groups in the IDM genre.
Editorial Reviews 3 stars out of 5 - ...The 'Stars and Stripes Forever' is a pounding techno parody that would make John Philip Sousa proud... Mojo (10/01/2003)
3 stars out of 5 - ...A deliberately disorienting blend of electronica, medieval folk and 19th-century Americana....Well worth checking out... Q (10/01/2003)
Included in Wire's 50 Records Of The Year [2003] The Wire (01/01/2004)
...At once sparse and finely embellished, these songs tell a tale of division and reunion, and of a desire to bridge the cloistered experimentalism of IDM with the richly imbued sounds of 100 or 1,000 years ago... Magnet (11/01/2003)
3 stars out of 5 - ...Employing both period instruments and digital manipulation, Matmos amble and shuffle toward a new interpretation of history... Rolling Stone (12/11/2003)
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