
Jolie Undergoes Unwanted Metamorphosis In “Changeling”
2 of 3 people found this review helpful.
By Karl J. Paloucek from the Channel Guide Store
Endless stories of human resilience sluice out of Hollywood year after year, but we never tire of them. It never gets any less amazing to see what people can endure and rise above, and how they change as a result. Changeling, based on true events and directed by Clint Eastwood, takes the worst fate to befall a mother — the sinister disappearance of her child — and illuminates the grim and dirty process of turning uncertain tragedy into hope.
Single mother Christine Collins (Angelina Jolie) and her son Walter have carved out a difficult but happy life in late 1920s Los Angeles. She works as a telephone switchboard overseer by day, rushing home on the streetcar to be with her son … until the day she returns and Walter is gone. So begins Christine’s frantic crusade for her son and the horrible truth of his fate that will drag her life into dark folds of anxiety, coercion and despair. Aided by a local broadcast evangelist, the Rev. Gustav Briegleb (John Malkovich), she takes on the corrupt Los Angeles Police Department that has tried to mollify her and close the case on her missing boy.
The film’s title references, in part, the ersatz Walter that the police all but force Christine to accept as her son, despite her instinctive knowledge that he isn’t. But it’s her refusal to accept the deceit, coupled with her drive to find her son and the truth of his fate, that catalyzes the real transformation at the heart of this film.
It’s naturally a bit challenging to separate Jolie’s character from the star’s own well-publicized fondness for motherhood. Christine is an obvious role for Jolie at this point in her life, as she and beau Brad Pitt have embraced parenthood so wholly and publicly. Her portrayal of Christine’s anguish is palpably, convincingly rendered, but through little fault of her own, her celebrity overexposure can’t help but find its way into a role she no doubt feels on a personal level.
But that isn’t to say it’s any less difficult or effective of a film to take in. Over and over, we see Christine strong-armed by the police and the grim reality that she may never know what happened to Walter. So much of the pain explored here is the hurt of not knowing — a fact underscored by its nearly two-and-a-half-hour runtime. You can’t help but measure your own discomfort in waiting for the resolution against this young mother’s, for whom every minute of uncertainty likely seems a lifetime.
Review ID: 10000000011367817

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