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All rights reserved.| Track Listing 1. Subterranean Homesick Blues 2. She Belongs to Me 3. Maggie's Farm 4. Love Minus Zero/No Limit 5. Outlaw Blues 6. On the Road Again 7. Bob Dylan's 115th Dream 8. Mr. Tamborine Man 9. Gates of Eden 10. It's Alright Ma (I'm Only Bleeding) 11. It's All Over Now, Baby Blue
Album Notes Personnel: Bob Dylan (vocals, acoustic guitar, harmonica); Al Gorgone, John Hammond, Jr., Bruce Langhorne, Kenneth Rankin (guitar); Paul Griffin, Frank Owens (piano); William E. Lee, Joseph Macho, Jr., John Sebastian (bass); Bobby Gregg (drums). Recorded at Columbia Recording Studios, New York, New York in January 1965. Includes liner notes by Bob Dylan. Howls of rage greeted Bob Dylan as he presented the world with rock music--he was roundly booed at both the Newport Folk Festival and the Royal Albert Hall. Yet here is one of those moments of cross-influence that changed the course of popular music. BRINGING IT ALL BACK HOME gave Dylan an audience on a plate; it was a massive breakthrough. An album of two different sides, acoustic (his past) and electric (his future), it contains milestones in the blues-rockers "Maggie's Farm" and "Subterranean Home Sick Blues," the future Byrds hit "Mr. Tambourine Man," and the transcendently poetic "It's Alright, Ma." You can debate the "is it folk or is it rock" argument forever. It's merely Dylan at one of his many peaks. Editorial Reviews NME (10/02/1993) Rolling Stone (12/11/2003) | Find errors in the product description? Submit a catalog update request now. | ||||||||||||||
Reviews Bob Dylan pushed some limits and made some people angry and in the process created one of the best albums of the sixties. Bringing It All Back Home is one of the essential Bob Dylan albums and a must own for any fan. 5 Stars. Review ID: 10000000006490179 Was this review helpful? Report this review Review created: 06/03/06(updated 12/01/06) by: Along with Paul McCartney and Elvis Presley, Bob Dylan is the most important figure of post-WWII popular music. This album was one of the four, along with "The Freewheelin' Bob Dylan," "Highway 61 Revisited," and "Blonde on Blonde," which turned him from just another folk singer into the pre-eminent singer-songwriter of our time. While Dylan's stature and historical importance are objective facts, whether or not one likes his music is, of course, strictly subjective. People usually fall into one of three camps, those that love him, those that hate him, and those who like his songs when someone else is singing them. I fall into the first group. Although I like covers of his songs very much, especially those by Judy Collins and Joan Baez, it is always enjoyable and interesting to hear the originals. This album doesn't have a weak song on it. His "hit singles," such as "Subterranean Homesick Blues" and "Mr. Tambourine Man" (the latter far better than the sanitized version by the Byrds, which is wildly overplayed on oldies radio stations) are there, along with the typically Dylanesque epics of many stanzas and one predominant rhyme, such as "It's Alright Ma," and "Bob Dylan's 115th Dream." "Love Minus Zero/No Limit," covered by everyone, never loses its charm, whether sung by Dylan or anyone else, and even the album's less familiar songs, such as "Outlaw Blues," and "On the Road Again," provide interesting rhymes and great lines. "Gates of Eden" shows the political protest, "Blowing In The Wind" side of the folk singer, "She Belongs To Me" the "I have trouble with women" side, and both sides are combined in "Maggie's Farm." Still, if I could only have one song off of the album, it would probably be "It's All Over Now, Baby Blue," if only because it made possible Judy Collins' cover of it, one of the most perfect songs of all time. If you have any interest in Dylan or the history of popular music, get this album and the three others I mentioned earlier. Songwriting just doesn't get any better. Review ID: 10000000001068926 Was this review helpful? Report this review |
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