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Boys Don't Cry by Cure (The) (CD, Feb-1988, Elektra Entertainment) 
Boys Don't Cry by Cure (The) (CD, Feb-1988, Elektra Entertainment)

 
Boys Don't Cry by Cure (The) (CD, Feb-1988, Elektra Entertainment)

Artist: Cure (The)
Release Date: Feb 1988
Format: CD
Record Label: Elektra Entertainment
Genre: Gothic, Rock & Pop
UPC: 075596078627
Product ID: EPID3086714
Description: The Cure: Robert Smith (vocals, guitar); Michael Dempsey (vocals, bass); Lol Tolhurst (drums). Recorded at Morgan Studios, London, England in 1979. Inaugurating the shadowy gloom/blissful pop combination that became the Cure's trademark,...
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Track Listing
1. Boys Don't Cry
2. Plastic Passion
3. 10:15 Saturday Night
4. Accuracy
5. So What
6. Jumping Someone Else's Train
7. Subway Song
8. Killing an Arab
9. Fire in Cairo
10. Another Day
11. Grinding Halt
12. Three Imaginary Boys

Details
Playing Time:33 min.
Producer:Chris Parry
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
The Cure: Robert Smith (vocals, guitar); Michael Dempsey (vocals, bass); Lol Tolhurst (drums).
Recorded at Morgan Studios, London, England in 1979.
Inaugurating the shadowy gloom/blissful pop combination that became the Cure's trademark, BOYS DON'T CRY contains healthy portions of both, along with a dose of punk-fueled angst befitting the times in which it was recorded. Robert Smith reveals himself as an alarmingly developed songwriter--though he was still in his late teens when these songs were written, his compositional abilities are as impressive as the potential they reveal.
The album produced a string of hits, several of which were to remain signature tunes for the group throughout their lengthy tenure in pop's upper strata. The title track, as touchingly naive and vulnerable a love song as one could ask for, is the album's best-known song. "Killing An Arab," based on a famous passage from "The Stranger," attracted controversy while it displayed Smith's burgeoning taste in exotic compositional textures. The gently bizarre "10:15 Saturday Night" is a calm study in dynamics, while "Jumping Someone Else's Train" is a cry for individuality, a sentiment truly at the heart of this and all the group's work.

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