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Blood Sugar Sex Magik by Red Hot C...
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Blood Sugar Sex Magik by Red Hot Chili Peppers (Cassette, Sep-1991, Warner Bros. Records Record Label) 
Blood Sugar Sex Magik by Red Hot Chili Peppers (Cassette, Sep-1991, Warner Bros. Records Record Label)

 
Blood Sugar Sex Magik by Red Hot Chili Peppers (Cassette, Sep-1991, Warner Bros. Records Record Label)

Release Date: Sep 1991
Format: Cassette
Record Label: Warner Bros. Records (Record Label)
Genre: Alternative, Rock & Pop
UPC: 075992668149
Product ID: EPID3550003
Description: Red Hot Chili Peppers: Anthony Kiedis (vocals); John Frusciante (guitar); Flea (bass); Chad Smith (drums). Additional personnel includes: Brendan O'Brien (Melltron); Pete Weiss (Jew's harp); Gail Frusciante (background vocals). With BLOO...
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3 results|Group by condition
Track Listing
1. Power of Equality, The
2. If You Have to Ask
3. Breaking the Girl
4. Funky Monks
5. Suck My Kiss
6. I Could Have Lied
7. Mellowship Slinky in B Major
8. Righteous & The Wicked, The
9. Give It Away
10. Blood Sugar Sex Magik
11. Under the Bridge
12. Naked in the Rain
13. Apache Rose Peacock
14. Greeting Song, The
15. My Lovely Man
16. Sir Psycho Sexy
17. They're Red Hot

Details
Playing Time:73 min.
Producer:Rick Rubin
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Red Hot Chili Peppers: Anthony Kiedis (vocals); John Frusciante (guitar); Flea (bass); Chad Smith (drums).
Additional personnel includes: Brendan O'Brien (Melltron); Pete Weiss (Jew's harp); Gail Frusciante (background vocals).
With BLOODSUGARSEXMAGIK the Chilis produced the defining moment of funk rock and the high point of their career. Raunchy and explicit from the first, the lyrical content was not for the easily offended and frequently strayed into misogyny. Musically, it straddled metal and funk with ease; in addition to the stomping, infectious rockers ("Give It Away," "The Power Of Equality") and the downright funky ("Mellowship Slinky," "Apache Rose Peacock"), all underpinned by Flea's virtuosic but unselfish basslines, the band also showed themselves capable of writing surprisingly melodic ballads ("Breaking The Girl," "Under The Bridge").

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