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Billion Dollar Babies by Alice Cooper (CD, Warner Bros. Records Record Label) 
Billion Dollar Babies by Alice Cooper (CD, Warner Bros. Records Record Label)

 
Billion Dollar Babies by Alice Cooper (CD, Warner Bros. Records Record Label)

Artist: Alice Cooper
Format: CD
Record Label: Warner Bros. Records (Record Label)
Genre: Hard Rock, Rock & Pop
UPC: 075992726924
Product ID: EPID3084305
Description: Alice Cooper: Alice Cooper (vocals); Michael Bruce (guitar, keyboards); Glen Buxton (guitar); Dennis Dunaway (bass instrument); Neal Smith (drums). While their theatrical stage show (which featured the singer getting his head chopped off...
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Track Listing
1. Hello Hooray
2. Raped and Freezin'
3. Elected
4. Billion Dollar Babies
5. Unfinished Sweet
6. No More Mr. Nice Guy
7. Generation Landslide
8. Sick Things
9. Mary Ann
10. I Love the Dead

Details
Playing Time:41 min.
Producer:Bob Ezrin
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
Alice Cooper: Alice Cooper (vocals); Michael Bruce (guitar, keyboards); Glen Buxton (guitar); Dennis Dunaway (bass instrument); Neal Smith (drums).
While their theatrical stage show (which featured the singer getting his head chopped off by a guillotine) may have made Alice Cooper a household name, the material on BILLION DOLLAR BABIES is so exceptional there is no danger of the music being overshadowed by gimmicks. The album became Cooper's biggest selling release, but it would prove the last effort by the original incarnation of the Alice Cooper band (who would up split a year later). But the group hits the mark completely here, combining the raw garage rock of earlier albums with a glossier production, but with plenty of edge, grit, and sleaze still at the music's core.
While mission statement "No More Mr. Nice Guy" is the best-known song, the rest of the album is just as strong. The title track features a backing vocal by Donovan and a mammoth backbeat from drummer Neal Smith, while sweet melodicism plays an important role in "Generation Landslide" and "Mary Ann." Cooper's rock-and-shock aesthetic can heard in the future concert staples "Sick Things" and "I Love the Dead," giving the sleek sound of the album a wonderfully seamy underbelly. Pound for pound, this is probably Cooper's finest release, and remains one of the true cornerstones of the '70s hard rock canon.

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