Movie Description
Eddie Murphy rose to stardom as Axel Foley, a streetwise and brash young Detroit cop in this comic blockbuster that combined frenetic action, hysterical rough-edged comedy, and a chart-topping rock & roll soundtrack. When his best friend is murdered, Axel heads off to Beverly Hills in an effort to track down the killer. The resulting culture shock is only one of his difficulties: Often operating just outside the law in his determination to capture the murderer, he finds himself repeatedly clashing with the local authorities as well as his supervisor back home. With the help of Beverly Hills detective Billy Rosewood (Judge Reinhold) and his partner, Sergeant Taggart (John Ashton), Axel is able to track down the killer, who turns out to be Victor Maitland (Steven Berkoff), a wealthy, powerful, and respected member of the California community. It is up to Axel to outsmart the evil British criminal, who is protected inside his fortresslike mansion. Featuring hysterical supporting performances from Bronson Pinchot as Serge--an effeminate, thickly accented art gallery clerk--and comedian Damon Wayans, among others, the film is one of the funniest comedies of the 1980s.
| Credits | | Producer: | Jerry Bruckheimer | | Cast: | Bronson Pinchot, Jonathan Banks, Ronny Cox |
| Details | | Sound: | Stereo Sound |
Notes
DVD Features:
Region 1
Keep Case
Widescreen - 1.85
Audio:
Dolby Digital 5.1 - English
Additional Release Material:
Audio Commentary - 1. Martin Brest - Director
Trailer - 1. Theatrical
Featurettes - 1. BEVERLY HILLS COP - THE PHENOMENON BEGINS (29 mins)
2. CASTING 'BEVERLY HILLS COP' (10 mins)
2. MUSIC OF 'BEVERLY HILLS COP' (8 mins)
Cast & Crew Interviews
Interactive Features:
Interactive Menus
Scene Selection
Text/Photo Galleries:
Location Map
Photo Gallery, Theatrical release: December 5, 1984.
The film grossed more than $230 million at the box office.
Director's cameo: Martin Brest appears as a hotel checkout clerk.
Sylvester Stallone was originally targeted for the role of Axel Foley. When he failed to show interest in the project, the producers cast young Eddie Murphy in the part. This choice, of course, changed the emphasis of the film from action to comedy, and the role consolidated Murphy's status as a superstar.
Editorial Reviews
"...Murphy doing what he does best: playing the shrewdest, hippest, fastest-talking underdog in a rich man's world....He wins at every turn."
New York Times - p.C25 - Janet Maslin (12/05/1984)
"...Murphy is in exceptional form here..."
USA Today - Mike Clark (06/24/1994)
"A Simpson/Bruckheimer production that made the mould for the uber-producers' violent action-comedies..."
Total Film - Daniel Webb (04/01/2004)
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