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The Best of Miss Peggy Lee by Peggy Lee (CD, Oct-1998, Capitol/EMI Records) 
The Best of Miss Peggy Lee by Peggy Lee (CD, Oct-1998, Capitol/EMI Records)

 
The Best of Miss Peggy Lee by Peggy Lee (CD, Oct-1998, Capitol/EMI Records)

Artist: Peggy Lee
Release Date: Oct 1998
Format: CD
Record Label: Capitol/EMI Records
Genre: Classic Pop Vocals, Pop Vocal
UPC: 724349730823
Product ID: EPID3288200
Description: THE BEST OF MISS PEGGY LEE is a companion disc to the 4-CD box set MISS PEGGY LEE. Digitally remastered by Bob Norberg (Capitol Recording Studios, Hollywood, California). This release includes a bonus DVD entitled FEVER: THE MUSIC OF PEG...
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Track Listing
1. Waiting For the Train to Come In
2. I Don't Know Enough About You
3. It's All Over Now
4. It's a Good Day
5. Chi-Baba, Chi-Baba (My Bambino Go to Sleep)
6. Golden Earrings
7. Why Don't You Do Right (Get Me Some Money Too)
8. Manana (Is Soon Enough For Me)
9. Riders in the Sky (A Cowboy Legend)
10. Happiness Is a Thing Called Joe
11. Fever
12. Alright, Okay, You Win
13. I'm a Woman
14. Pass Me By
15. Big Spender
16. Is That All There Is?

Details
Producer:Brad Benedict (Compilation)
Distributor:EMI Music Distribution
Recording Type:Studio
Recording Mode:Mixed
SPAR Code:n/a

Album Notes
THE BEST OF MISS PEGGY LEE is a companion disc to the 4-CD box set MISS PEGGY LEE.
Digitally remastered by Bob Norberg (Capitol Recording Studios, Hollywood, California).
This release includes a bonus DVD entitled FEVER: THE MUSIC OF PEGGY LEE.
THE BEST OF MISS PEGGY LEE is a companion disc to the 4-CD box set MISS PEGGY LEE.
Culled from the Grammy-winning deluxe box set MISS PEGGY LEE, this re-mastered collection is perhaps the most compact overview of Peggy Lee's early and late Capitol periods. Her late-'40s hits, done in collaboration with guitarist/husband Dave Barbour, have never sounded better, and include here essential Peggy Lee originals like the sly "I Don't Know Enough About You," "It's a Good Day," and the politically incorrect (even for the time) "Manana." Since Lee spent the first half of the '50s at Decca, her return to Capitol in 1957 unveiled a seasoned pro in a completely different (improved) recording environment. These are the years of "Fever" and "Alright, Okay, You Win." It's interesting that as the singer commanded more deluxe studio treatment, she and her producers opted for a "big beat" R&B feeling. Nevertheless, Peggy Lee's musical instincts never hurt her commercially as her 1969 swan song, the Lieber-and-Stoller-produced "Is That All There Is?," proved all too well.

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